22 Sound Records

The follow up LP to 2024's ‘Flight B741’ and initially recorded during the same sessions, ‘Phantom Island’ sees King Gizzard expanding their sonic landscape to include a full-blown orchestra across its 10 tracks. Blending their signature psych-rock energy with sweeping orchestral arrangements, King Gizz take you on a symphonic journey embroidering their tangles of lysergic riff and melody with strings, horns and woodwind. ‘Phantom Island’ will be supported by a global tour running May through December 2025.

HAIM’s highly anticipated fourth studio album, I quit, will be releasing on June 20th. The 15-track album was written primarily by HAIM and Rostam Batmanglij, with production by Batmanglij and Danielle Haim. The album radiates the raw energy of seasoned performers whose deep reverence for classic rock shapes songs that are built for live performance. The album features follows previously released album tracks “Relationships” and “Everybody’s trying to figure me out,” which were both met with critical praise. Pitchfork noted “what’s that sound? Is it the first song of the summer?” while Vulture raved, “Haim is back… they’re not taking anything too seriously except for the quality of what they put out into the world,” and Stereogum hailed it as, “a return to the sleek genre-hybrid sounds of classic Haim.” I quit is the first new album since the band’s 2020 album Women In Music, Pt. III, which earned them a Brit Award for International Group. Women In Music, Pt. III received two GRAMMY Award nominations, including the prestigious “Album of the Year” recognition. With this nomination, HAIM became the first all-female rock group to be included in the GRAMMY’s top category. Women In Music, Pt. III debuted #1 on the U.S. Album Sales chart, as well as the Rock and Alternative charts and entered at #1 on the UK Album chart.

More Chaos [White 2 LP] Ken Carson - "More Chaos" More Chaos is Ken's fourth studio album and an evolution of the style and sound he innovated on A Great Chaos. It's a solo project, with no features, and production from his trusted circle of producers, talents he's carefully curated through his past projects. Interscope/Geffen/A&M; Opium/Interscope; Hip Hop. EXPLICIT

Sleep Token returns with Even In Arcadia, their fourth offering and first under RCA Records, set to release on May 9th. This new chapter follows Take Me Back To Eden and continues the unfolding journey where Sleep Token further intertwines the boundaries of sound and emotion, dissolving into something otherworldly. 

Behemoth's ascent is a story that can be told in many ways and from many perspectives. When one writes about a band that has written and rewritten the book on extreme metal for over 30 years that much is inevitable. However, it would be difficult to really capture the story's essence without focusing on the ambition and power which drive the band. While both power and ambition, as terms, can be tied in some way and some meaning to every story - their interpretation here is exact and carefully chosen. Ambition is the charioteer, navigating ever forwards to new horizons and visions and power are the horses, without whose prowess those horizons would be but a distant dream. The new opus, The Shit Ov God, is emblematic of that. Here's a band that, 34 years in, is releasing it's most inflammatory and extreme record to date. 8 songs that go into the fathoms of humanity, divinity and what defiance means in an age where individuality is prized but everyone is clinging to their saviors. Musically, politically, or otherwise. The title of the album is in line with those sensibilities. Intentionally polarizing, founder and frontman Nergal, says of the title "We chose this provocative title deliberately, rejecting subtlety in favor of a direct and polarizing statement. It's a defiant plunge into the depths, daring to seek the absolute even in the gutter. "Artistically, bringing such a striking sonic vision to life is no small feat. Aside from the band in se, Behemoth meticulously chose the audiovisual artists involved on the album. Production on the album was helmed by the inimitable Jens Bogren of Fascination Street Studios (Emperor, Enslaved, Kreator, Rotting Christ et al. ) Working closely with the band, Bogren's deft hand underscored the band's natural sound while sacrificing none of the mayhem and ferocity which permeates the band's essence. As is always the case with Behemoth, the visuals were as carefully constructed as the sound. The band tapped long-time collaborator and partner in crime Bartek Rogalewicz (BLACK. LODGE. IS. NOW) as well as Dark Sigil Workshop to make the beautifully ominous and unique cover-art. Gatefold Clear LP w 24 page booklet

Recorded between Los Angeles and their homes in Baltimore, NEVER ENOUGH is produced by TURNSTILE’s Brendan Yates. The expansive collection is a restless and exhilarating evolution of the band’s genre-defying sound. A transformative journey, both fearless and alive, by one of the most forward-thinking and influential bands of their generation.

MUSIC is Playboi Carti’s fourth studio album. The album features 30 tracks with appearances by Kendrick Lamar, Travis Scott, Future, Lil Uzi Vert, The Weeknd, Skepta, Young Thug and Ty Dolla $ign.

GOLLIWOG is Billy Woods' first album in two years, preceded by 2023'sMaps, his second collaboration with producer Kenny Segal. That nimbletravelogue has little in common with woods' newest work, despite the factthat Segal shows up a couple times in the credits. GOLLIWOG is a hauntingcollection that weaves horror, humor, surrealism and Afropessimism intoa cinematic tapestry, aided and abetted by a murderer's row of producers. African zombies, time traveling trap cars, malevolent ragdolls and a dyingFrantz Fanon are just a few of the revelers in woods' danse macabre. GOLLIWOG features production from The Alchemist, Kenny Segal, ELP, Conductor Williams, Preservation, Messiah Musik, Sadhugold, Ant(Atmosphere), Shabaka Hutchings, Steel Tipped Dove, DJ Haram, WillieGreen, Jeff Markey, Saint Abdullah, and LA-based experimental jazz trioHuman Error Club. Meanwhile, woods is joined on the mic by Backwoodzlabelmates ELUCID and Cavalier, along with rappers Bruiser Wolf,Despot, Al. Divino, and singer-songwriter Yolanda Watson. GOLLIWOG is another triumph in the woods oeuvre, as layered andcompelling as anything he has ever done. A black carnival pitched in amuddy field overnight, empty rides whirring and clattering in the dark

Miley is back with her highly anticipated 9th new studio album, Something Beautiful, arriving May 30. Something Beautiful features 13 new tracks written and produced by Miley and executive produced by Shawn Everett.

Pup - "Who Will Look After The Dogs?" [Purple Smoke/Orange/Pink Splatter LP]Toronto alt-rock weirdos Pup return with their brand-new album, Who Will Look After The Dogs? Hot off touring in Europe supporting Jimmy Eat World, and Canada supporting Sum 41, the band deliver their strongest record to date. Featuring singles, "Paranoid," "Hallways," and "Get Dumber," the album sees Pup deliver their classic anthemic yet raw sound across 12 killer tracks. Available on purple smoke with black, orange and pink splatter color vinyl. Limited Edition. Indie Exclusive. EXPLICIT

Little Simz is a boundary-breaking musician and cultural curator, recognised as one of the UK’s most captivating and visionary artists. A multi-award winner - collecting Brit Awards, MOBOs, and an Ivor Novello - across mixtapes, EPs, and five critically acclaimed albums, Simz’s music documents her story, her journey, her becoming - and in turn, her generation. This summer, Little Simz returns with her 6th 'Lotus'.. The record marks an exciting new chapter in her artistic journey, drawing from an expansive palette of musical influences including punk, jazz, afrobeat and more. True to form, Simz continues to push boundaries and defy genre constraints, creating a sound that's both innovative and distinctly her own.

Slipknot - VOLUME 3 The Subliminal Verses (Violet Vinyl) Vol. 3: (The Subliminal Verses) is the third studio album by American heavy metal band Slipknot, released on May 25, 2004, by Roadrunner Records. A special edition, containing a bonus disc, was released on April 12, 2005. It is the band's only album produced by Rick Rubin

The UK's VACUOUS make their Relapse Records debut with their new album, In His Blood. An overdose of Death Metal, In His Blood is a compelling mix of blazing speeds, chilling atmospherics, and angular riffing that bring the band into their own unique space. “We’ve talked about having different influences, and it felt like a bit of a dare to push things further,” guitarist Michael Brodsky says. “Back in death metal’s formative days, with bands like Autopsy, Obituary, Incantation, none of those bands sounded like each other: they were just pushing their collective influences together to the extreme. I think we’re still doing the same thing, just from the point of view of people who grew up in the 2000s.” From the roaring, quick-fire intensity of the title track to the haunting atmospherics of ‘Hunger’ and the cinematic rumbles of ‘Contraband’, with In His Blood VACUOUS push the limits of what listeners might expect from Death Metal. “We have some surprising influences on this album,” Michael says, explaining that the track ‘Hunger’ came out of imagining what it would sound like if The Cure made a Death Metal song. The spontaneity and attitude of punk and hardcore are also an influence, and Michael namechecks Converge – less for their sound, and more for their mindset and experimental nature. “They’re inspiring for how they meld different styles together, but it still falls loosely within hardcore and metal,” he says. Under the overarching idea of violence and voyeurism, in the album’s lyrics Jo Chen explores a number of topics including horror films, serial killers, school shootings, toxic masculinity, and the Global North and South divide. “The song ‘Contraband’ is about the 39 Vietnamese migrants who were suffocated in a lorry trying to come over to England,” Jo says. “It was such a tragedy, but it was blink and you miss it; news today and gone tomorrow. “I was born in London but my family are from Malaysia, which is historically a poor country,” he continues. “There’s such a juxtaposition when I go back there. Here in the West, generally, people are often so comfortable. The only access that some people have to extreme poverty and violence is online.” Going forward, VACUOUS want to keep pushing boundaries, being spontaneous, and taking risks. “We want to have a discography where every album is distinct,” Jo says. “We don’t want to feel like we’re repeating ourselves. You think of a band like Carcass, who do this and it’s super fun to listen to. We just want to keep trying something different.”

Hailing from northeast England, Fender is a British songwriter with a penchant for euphoric, hard-hitting guitar anthems. Bursting onto the scene with a BRITs Critics’ Choice win in 2018, his first two albums, Hypersonic Missiles (2019) and Seventeen Going Under (2021), both debuted at Number 1 on the UK’s Official Albums Chart and earned Platinum status. With over two billion global streams, Fender has headlined stadiums in Newcastle, toured arenas across the UK and Ireland, and headlined at major festivals like Reading/Leeds, while also supporting icons like The Rolling Stones and Bruce Springsteen. If Seventeen Going Under – Fender’s sophomore album and second to debut at Number 1 on the UK’s Official Albums Chart – was his “coming of age” album, his forthcoming work is his next step – colorful stories and observations of everyday characters living their everyday, but often extraordinary, lives. Sam produced People Watching alongside bandmates Dean Thompson and Joe Atkinson over two years, working first in London in 2023 with producer Markus Dravs, and then earlier this year in Los Angeles with Granduciel. See below for track listing.

...And the Circus Leaves Town is the fourth and final studio album by American stoner rock/metal band Kyuss, released on July 11, 1995, three months before their breakup.

Although New Brunswick, NJ's Gaslight Anthem have only been around a couple years, they've become one of the punk underground's most celebrated acts. They've toured with Against Me, the Loved Ones, and the Bouncing Souls. Their Side One Dummy debut reconciles their love of classic rock and soul icons Bruce Springsteen, Otis Redding, and Tom Petty with their NJ punk roots to create a unique musical amalgam.

The duo of Dylan Brady and Laura Les, 100 gecs, announces that the band’s highly-anticipated sophomore album, 10,000 gecs, will arrive on March 17th, 2023. Following their breakout debut album, 1,000 gecs, the anticipation of their next body of work has been high and the band’s teases have been plentiful. The forthcoming album is set to include previously released singles “mememe” which was described in the story as "an ebullient carnival of ska-inflected verses that bounce off a chorus of thrash guitars and a squiggling synth line" along with the 90’s Alt Rock-inspired “Doritos & Fritos,” which The Fader noted as "unlike any other Gecs track before it.”
 
For those yet initiated: 100 gecs planted their flag on the proverbial pop culture moon with their 2019 debut album 1000 gecs, which was heralded by The New Yorker as, “an impressively precise maximalist exercise with no rules” and “utterly unhinged in the best way possible” by GQ. The innovative project captured the hearts of fans and critics alike - selling out all of their live shows to date along with The New York Times calling it, “some of the savviest pop music of the year,” and Rolling Stone dubbing it “one of 2019’s most exciting debuts.” In just a few months following the release of 1,000 gecs, the band went from playing their first concert from inside the video game Minecraft to selling out shows across the country, proving that their rabid, rapidly multiplying fanbase doesn't only exist in the far corners of the internet. After their world tour was postponed in the summer of 2020, Brady and Les kept rolling with the release of 1000 gecs and The Tree of Clues, a rework of the original album featuring collaborations from the likes of A. G. Cook, Fall Out Boy, Charli XCX, Rico Nasty, as well as crowd sourced contributions by fans. The transformative release was described by The NME as a “brain-melting, genre-crushing vision of pop’s future.” Their subsequent international touring over the past two years has sent the unlikely wizard-cloaked pied pipers jumping from sold-out show to sold-out show, seemingly two steps ahead of the zeitgeist, not to mention having a blast while doing it. 

It is with a certain sadness for his fans across mediums that Donald Glover has declared Bando Stone and the New World the last Childish Gambino album. The ostensible soundtrack to a feature-length movie of the same name, the hour-long project includes snippets of dialogue that hint at the film’s apocalyptic subject matter. The fact that the soundtrack is preceding the actual film is part of Glover’s strategy: He wants listeners to work to figure out what they’re listening to. “The soundtrack forces the audience to participate in a way that I don't feel like most things force you to participate,” he says. “It forces you to have an imagination. I already see people being like, 'This is very cinematic, this must be the part that... This feels like a credit sequence.' A lot of stuff feels flat because it's not asking you to participate. Art used to be you had to participate on some level and have some sort of thought process on it. You can't just be like, 'Oh, this is mid.'” Even without the benefit of the full visuals, these 17 tracks make for a satisfying swan song that synthesizes what came before with fresher ideas gleaned from the threshold of finality

The Darkness's upcoming album Dreams On Toast, set for a March 2025 release, marks a bold new chapter for the band. With their signature blend of flamboyant rock anthems and tongue-in-cheek lyrics, this album cements their place at the pinnacle of British rock. Expect soaring guitar riffs, infectious hooks, and a nostalgic yet fresh take on the genre that will resonate with longtime fans and new listeners alike. “You know that thing when God’s breath tickles your soul and tells you to create? Yeah, makes me giggle too. But you can’t resist. God might not be the power she once was, but say what you like about her, she knows damn well that what the world needs now, is rock sweet rock. And who are we, mere mortals of extraordinary ability, to argue with the divine? So we knuckled down and thought really hard about the best of the best, the elite songs, the life-changing music of the ages. Then we popped out a dozen bangers before lunch. And these bangers we present to you here, wallowing in an aromatic aural ragu, served atop the charred remains of our envious contemporaries… ladies and gentlemen, I give you Dreams on Toast. Close your eyes, loosen your cummerbund, and enjoy….” - Justin Hawkins

Produced by M. Ward, Owls, Omens, and Oracles is a transformative record featuring vocals from The Blind Boys of Alabama, and an excerpt from Valerie’s book Maps for the Modern World. This album is a full-circle moment, revisiting her indie roots while still pushing forward with an evolved sound. It centers on a joyful and spiritual outlook, celebrating growth and resilience - an album that is meant to inspire, heal, and unite people through shared emotions.

Patterson Hood's first solo record in over a decade was born out of a friendship with producer Chris Funk (The Decemberists). The pair would often perform together for fun and during Hood's solo tours, making far-off plans to make a record together. They eventually went into Jackpot Studios in Portland. Many of the songs were composed on piano marking a bigger departure from his work with Drive-By Truckers than prior solo efforts. Guest appearances from: Waxahatchee, Wednesday and Lydia Loveless