Vinyl LP pressing. 1996 album from the Swedish black metal band.

Breaking a decade of omertà, The Mars Volta reawaken from their lengthy hiatus with an eponymous track that radically reshapes their paradigm. Formed by guitarist/composer Omar Rodríguez-López and singer/lyricist Cedric Bixler-Zavala, The Mars Volta rose from the ashes of El Paso punk-rock firebrands At The Drive-In in 2001. On a mission to “honour our roots and honour our dead”, The Mars Volta made music that fused the Latin sounds Rodríguez-López was raised on with the punk and underground noise he and Bixler-Zavala had immersed themselves in for years, and the futuristic visions they were tapping into. The albums that followed were one-of-a-kind masterpieces, their songs of breath-taking complexity also possessing powerful emotional immediacy. After the group fell silent, a legion of devotees (including Kanye West) kept up an insistent drum-beat for their return.

Now – a year after La Realidad De Los Sueños, a luxurious 18-LP box-set compiling their back catalogue, sold out its 5,000 print run in under 24 hours – the duo are back, accompanied this time by founder bassist Eva Gardner, drummer Willy Rodriguez Quiñones and keyboard-player Marcel Rodríguez-López. This song shakes loose some of The Mars Volta’s long-standing shibboleths and the dizzying, abrasive prog stylings of earlier albums absent.

Instead, The Mars Volta pulses with subtle brilliance, Caribbean rhythms underpinning sophisticated, turbulent songcraft. This is The Mars Volta at their most mature, most concise, most focused. Their sound and fury channeled to greatest effect, The Mars Volta finds Rodríguez-López’s subterranean pop melodies driving Bixler-Zavala’s dark sci-fi tales of the occult and malevolent governments. Distilling all the passion, poetry and power at their fingertips, The Mars Volta is the most accessible music the group have ever recorded.

Vinyl LP pressing. 2022 release. Sunrise on Slaughter Beach is the 13th studio album by rock band Clutch. This is Clutch's first studio album since Book of Bad Decisions (2018), making it one of their longest gaps between albums.

2022 release. Come Home the Kids Miss You is the second studio album by Jack Harlow. Includes the singles "Nail Tech" and "First Class".

The London Suede return with their ninth studio album, Autofiction.

As The London Suede began work on the songs that would become Autofiction, they decided to go back to basics. In a move that recalled their most formative days, Brett Anderson, Mat Osman, Simon Gilbert, Richard Oakes and Neil Codling schlepped to a rehearsal studio in deserted Kings Cross to collect a key, hump their own gear, set up and start playing.

Speaking about Autofiction, Brett Anderson said: "Autofiction is our punk record. No whistles and bells. Just the five of us in a room with all the glitches and fuck-ups revealed; the band themselves exposed in all their primal mess."

First single "She Still Leads Me On" is the track that reconfigured what the album could be. A beautiful song written from Brett to his late mother. As its title suggests, Autofiction is one of Anderson's most personal records yet. Reflecting on the process of writing acclaimed memoirs Coal Black Mornings and Afternoons with the Blinds Drawn helped Brett get a newfound perspective on himself as a performer and singer in the public eye, much of which has bled into the lyricism of Autofiction.

LONDON SUEDE / AUTOFICTION - ViNYL LP

The best music reflects a wide-screen view of the world back at us, helping distill the universal into something far more personal. Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock that does exactly that, which is one of many reasons why the group’s new album, Wilderness of Mirrors, feels so aptly named.

Indeed, in the five years since the release of the band’s prior album, Death Song, and the two-plus years spent working on Wilderness of Mirrors, pandemics, political tumult and the ongoing devastation of the environment have provided ample fodder for the Black Angels’ signature sonic approach. If the group’s members were terrified as they honed new music heading into an election year, they realized they didn’t even know how scary things could still get.

So, they looked inward, focusing on both their ongoing creative and musical development as well as their own struggles amid the external chaos. Wilderness of Mirrors hits even more close to home, as the group recorded solely in the friendly confines of Austin for the first time in more than a decade and entrusted co-production duties to its longtime front-of-house engineer, Brett Orrison.

In the annals of metal there is no band more synonymous with an unswerving commitment to the single-minded defiance of expectation than Behemoth. Over the course of their remarkable 31-year career, these Polish hellraisers - spearheaded by Adam Darski, aka Nergal - are more than just the architects of their country's legendary extreme metal scene. Over the course of three decades and previous 11 albums, Nergal's singular vision has forged Behemoth into something far more than a mere black metal band. Beyond any confines of genre, they have grown to become nothing less than the personification of rebellion, individuality and unflinching self-expression informed by a literate worldview and worldliness that's resulted in a locking of horns with everything from the mainstream press to the Polish Catholic church - most notably manifesting in Nergal's trial for blasphemy in 2010 that only served to expose the deep-seated hypocrisies that his music seeks to challenge. It also highlighted the distinct lack of fucks that he has to give. Now world-renowned and yet exuberantly underground in their convictions, Behemoth are perhaps the unlikeliest of success stories, but if their stratospheric ascent and hard-won commercial achievement can be attributed to anything, it's a cast-iron unwillingness to compromise. As Opvs Contra Natvram, their 12th studio release heralds from the rooftops - their longevity is down to a resolute commitment to find new ways to enthrall and inspire their ever-growing legion of latter-day heretics, a determination which shows no signs of erosion. It's changing times and new battles to fight to which Nergal attributes Behemoth's unique ability to sound fresh despite their incredible tenure. Therein lies the inspiration for the album's title and striking cover artwork. Black vinyl and black art work

Vinyl Pressing. 2014 album from the rapper and producer. Freddie Gibbs is the product of violent, drug-laden streets but unlike most rappers with similar resumes, he brings the block to the booth without inhibition or an exaggerated rap persona. PINATA, a 17 track collaboration with producer Madlib, is the best distillation yet of his transparent approach to making music, combining an at times stark honesty with electrifying talent as a lyricist and performer. PINATA is 'a gangster Blaxploitation film on wax,' says Gibbs, who came up on the streets of Gary, Indiana, the disregarded city previously best known for producing Michael Jackson. Here he is joined by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted Funk, Soul and Progressive musical tapestries.

Girls, Girls, Girls - Mötley Crüe - Girls, Girls, Girls is Mötley Crüe's fourth studio album originally released in 1987. The album contains the hit singles "Girls, Girls, Girls", "You're All I Need", and the MTV favorite "Wild Side". It was the band's final collaboration with producer Tom Werman, who had produced the band's two previous albums, Shout at the Devil and Theatre of Pain. Like those albums, Girls, Girls, Girls would achieve quadruple platinum status, selling over 4 million copies and reaching number two on the Billboard 200. The album marked a change to a blues-rock influenced sound, which was met with positive reception.

Kendrick Lamar - "Mr. Morale & The Big Steppers" - Kendrick Lamar released his first album in 5 years, Mr. Morale & The Big Steppers. Available on Vinyl August 26, 2022. EXPLICIT

Megadeth’s explosive new album features twelve new songs from the titans of thrash metal! Produced by Dave Mustaine and Chris Rakestraw, the follow-up to the critically acclaimed, Grammy® award-winning album Dystopia will melt Megadeth fans’ minds worldwide with songs like “We’ll Be Back,” the new radio hit “Soldier On!” and “Night Stalkers” – the latter of which features icon Ice-T.

EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They’ve survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers.

The band’s ninth studio album, Radical, is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that “All This And War” featuring guest vocals by Josh Scogins from The ‘68 is absolute brutal heaviness is an understatement. It’s an addictive punch in the face, you’ll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track “Thing With Feathers” featuring Andy Hull from Manchester Orchestra.

Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant – and fiercely combative – of the present state of world affairs.

A little more than a year after the acclaimed, massive Frozen Bloom, Olhava is back with a brand new studio album. Reborn explores yet another side of the relationship between man and nature. In a darker turn, the duo presents a more pessimistic and cautionary reflection on the environment in contrast to their previous albums. "Reborn is a story about a man who forgot what brought him here. Who neglected a precious, parental, and primordial bond with nature; who unconsciously destroys the one and only home we all share, along with himself. The irreversible damage we do to our environment will see mankind "beheaded", whilst nature and life itself will thrive eternally. We'd like to believe though that if we realised the value of that bond and embraced it, we'd be given a glimpse of hope in this fatalistic madness - a chance to be spared. The cover art by MarGoat of an exhausted Mother Nature ritualistically destroying and cleansing herself of humanity using human hands as her very own tools forces us to reflect on our significance. She is about to be Reborn in a new floral form".

2-LP Crystal Violet Vinyl

Patient Number 9 is Ozzy Osbourne’s 13^th solo studio album and a continuation from 2020’s top 5 release Ordinary Man, once again produced by Andrew Watt. This 13-track project running nearly over an hour long has the most legendary guests ever on an Ozzy Osbourne release. Three tracks alone – “Patient Number 9”, “Degradation Rules”, and “One Of Those Days” – feature Jeff Beck, Eric Clapton, and Tony Iommi (Black Sabbath) respectively, not to mention Josh Homme (Queens of The Stone Age), Mike McCready (Pearl Jam), Chad Smith (Red Hot Chili Peppers), Duff McKagan (Guns N’ Roses), Robert Trujillo (Metallica), Zakk Wylde (Ozzy’s longstanding guitarist from the late 80’s) as well as the late Taylor Hawkins.

Since the band's inception in 1992, Built to Spill founder Doug Martsch intended his beloved band to be a collaborative project, an ever-evolving group of musicians making music and playing live together. "I wanted to switch the lineup for many reasons. Each time we finish a record I want the next one to sound totally different. It's fun to play with people who bring in new styles and ideas, " says Martsch. "And it's nice to be in a band with people who aren't sick of me yet." Following several albums and EPs on Pacific Northwest independent labels, including the indie-rock classic, There's Nothing Wrong With Love, released on Sub Pop offshoot Up Records in 1994, Martsch signed with Warner Brothers from 1995 to 2016. He and his rotating cast of cohorts recorded six more great albums during that time - Perfect From Now On, Keep It Like a Secret, Ancient Melodies of the Future, You In Reverse, Untethered Moon, There Is No Enemy. There was also a live album, and a solo record, Now You Know. While the band's impeccable recorded catalog is the entry point, Built to Spill live is an essential force of it's own: heavy, psychedelic, melodic, and visceral tunes blaring from amps that sound as if they're powered by Mack trucks. Now in 2022, Built to Spill returns with When the Wind Forgets Your Name, Martsch's unbelievably great new album (and his eighth full-length)... with a fresh new label. "I'm psyched: I've wanted to be on Sub Pop since I was a teenager. And I think I'm the first fifty year-old they've ever signed." (The rumors are true, we love quinquagenarians...). When the Wind Forgets Your Name continues expanding the Built to Spill universe in new and exciting ways. In 2018 Martsch's good fortune and keen intuition brought him together with Brazilian lo-fi punk artist and producer Le Almeida, and his long-time collaborator, Joao Casaes, both of the psychedelic jazz rock band, Orua. Martsch fell in love with their music the moment he heard it. So when he needed a new band for shows in Brazil, he asked them, and the partnership went so well Martsch, Almeida, and Casaes continued playing together throughout 2019, touring the US and Europe and ultimately recording the bass and drum tracks for When the Wind Forgets Your Name at Doug's rehearsal space in Boise. After Martsch tracked guitars and vocals, they group collaborated from afar to mix the album. What emerged is When the Wind Forgets Your Name, a complex and cohesive blend of the artists' distinct musical ideas. Alongside Built to Spill's poetic lyrics and themes, the experimentation and attention to detail produces an album full of unique, vivid, and timeless sounds, from guitar-driven rock odes to REM and Dinosaur Jr to bluesy '60s-style anthems to dub-reggae-inspired instrumentation. It may have taken us 30 years of obvious fandom and courtship, but on September 9, 2022, Sub Pop Records is unabashedly proud to finally release an excellent new album from Built to Spill: When the Wind Forgets Your Name. Sometimes persistence pays off.

Double vinyl LP pressing. Third Eye Blind is the debut studio album by Third Eye Blind, originally released in 1997. The album was collectively written by Stephan Jenkins and Kevin Cadogan, while production was helmed by Jenkins and Eric Valentine. Recorded in and around San Francisco at Toast Studios, Skywalker Ranch, and H.O.S., the album incorporates elements of alternative rock, post-grunge, and power pop. Thematically, the album focuses on topics such as relationships, drug addiction, suicide prevention, and the band's experience of being signed to a major record label. Includes the singles: "Semi-Charmed Life", "Graduate", "How's It Going to Be", "Losing a Whole Year", and "Jumper".

Across three full-length slabs of bludgeoning intensity and snarling rage, I Am put a Southern stamp and revitalized swagger into deathcore, a subgenre rarely as raw, energized, and diverse as this band. In the spirit of fellow Southern icons Pantera and newer Texan heroes Power Trip, I Am channel discontent and anger into empowering anthems, as likely to inspire a grueling workout as to incite the pit. Reminiscent of the combination of death metal heaviness and thrash metal speed found in the early catalog of Sepultura, I Am mine the heaviness of Morbid Angel and the dexterity of the Big 4 to create something groundbreaking of their own. Vocalist Andrew Hileman (who started the band in 2011), guitarists Tom Reyes and Chris Burgess, bassist Erik Rodriguez and drummer Ian Scott deliver their Texas Death in clubs, theaters, and festivals, with bands like The Acacia Strain and Kublai Khan. Eternal Steel, the quintet's debut for MNRK, combines the onslaught of the well-received Hard 2 Kill (2018) with the primal bite of Life Through Torment (2017) into a singular statement of intent. "We took what we did well on Hard 2 Kill to new extremes on Eternal Steel," notes Reyes. "It's faster than the last album, it's heavier than the last album, and it expands on every other aspect of our sound. 'Heavy' doesn't always have to mean 'slow.' Frequently for us, the faster parts are equally as heavy."

Crashdïet, the high flying Glam Rock/Sleaze Rock band, formed in Stockholm back in the year 2000 and step in the new millennium with full-throttle speed and excess. Named after an unreleased Guns N'Roses song, the band is inspired by Skid Row, Guns N' Roses, Kiss, W. A. S. P. , Cinderella, Ratt or GG Allin. Martin Sweet and Peter London refer to the more raw works of the 1980s and see in them that later "everything became polished" and "much too poppy". Crashdïet released their critically acclaimed debut album Rest in Sleaze in 2005, giving them a spring of success in their home country of Sweden and abroad. However, the increasing success brought the first stroke of fate for the group, their frontman Dave Lepard was found dead at his home, the result of a tragic suicide in January 2006. During a Saxon concert in Nottingham in April 2013, Michael Sundén, the manager of Crashdïet, suffered such severe head injuries in a fall that he died a short time later. With a career littered with abuse, tragic deaths and lineup changes, it nearly ended the band more than once, but the band have become known for picking up the pieces and returning to the scene of the crime... every time. The surviving band members and new blood have carried the glam-metal sleaze-rock torch ever since, touring the world and releasing many acclaimed albums. Always staying true to their motto "Go big or stay home. "

Special edition double vinyl LP. The week this debut album came out, Kanye's name was all over the Top 20s for his hit singles "Through the Wire," "Jesus Walks," "All Falls Down" and "Slow Jamz." What's even more remarkable is that this breakthrough came during his recovery from a car wreck that nearly took his life-the song "Through the Wire" is about the accident, and was recorded two weeks after he was in the hospital, with his jaw still wired shut. He's hailed the event as both the worst thing that could've happened to him, and the best. The record sold 441,000 copies in it's very first week and has been named both by "Time" and "Rolling Stone" as one of the greatest albums of all time. Guest appearances here include Jay-Z, John Legend, Ervin "EP" Pope, Miri Ben-Ari, Syleena Johnson and Jamie Foxx.

Formed in 2012 out of a mutual love of metallic hardcore but despair at its lack of ambition, Ithaca exist to challenge everything you thought about what a band that makes heavy music should look and sound like. A glitter-covered nailbomb, Ithaca seamlessly blend the brutality of Relapse Records metalcore with blackgaze, 90s industrial metal, 70s prog and even tinges of 80s power pop. Their influences stretch beyond the musical - this album comes with a clear vision and aesthetic: drawing from members’ different ancestral heritage, queer/non-conforming identities and iconic figures in avant-garde, new wave and post punk culture. Their upcoming second album ‘They Fear Us’ is the sound of a band healing from trauma - standing in their own, unapologetic voice. Furious and wildly inventive while also being more coherent and accessible, this album will introduce Ithaca to a wider audience than they’ve ever had before. To quote the band - ‘those who oppose us; your sins will catch up to you. You will fear us’.

YUNGBLUD is the self-titled third album by 24-year-old singer/songwriter and multi-instrumentalist YUNGBLUD (Dominic Harrison). Following the success of 2018’s 21st Century Liability and 2020’s weird!, his third record is simply titled YUNGBLUD: it’s a reclamation of his own narrative and the consolidation of his artistic identity. YUNGBLUD is out September 2, 2022. Indie Exclusive Pink LP.

Vinyl LP pressing. When an album peaks at #3 on the Billboard Top 200, amasses a large fanbase worldwide, and quickly becomes certified platinum, it's clear it's something worth plugging into. With their debut album, the socially-charged Core, San Diego's Stone Temple Pilots deliver a hard-hitting grunge record that delves into dark lyrical territory, driven home by Scott Weiland's powerful vocals. With hit singles "Plush" and "Sex Type Thing" going on to become definitive songs of the 1990s, the band garnered a great deal of media attention - at times incredibly negative - for their whirlwind success. Rolling Stone readers named the group the Best New Band of 1992, whereas it's staff christened them the Worst New Band. Despite their polarizing reception, the Pilots would secure a Grammy Award for Best Hard Rock Performance for "Plush" and Core would be certified eight times platinum in 2001. Songwriting, you could say, is the band's definite core.

"The Callous Daoboys are easily one of the catchiest and extraordinary hardcore bands of the last few years. [A] fresh young band giving hope that the mathcore scene won't die off." - Exclaim! The recklessly free-spirited collective from Atlanta, Georgia, revels in high-strung extremity, music that's somehow dense, impenetrable, and chaotic yet confusingly inviting. An undeniable life-affirming glee is palpable as each song deliriously swerves across stylistic lines. Contemplation and self-awareness run throughout Celebrity Therapist. "The whole album is about history repeating itself and how we kind of move in circles. It's two steps forward and three steps back with a bunch of people in my life. The album is me reflecting on these people but realizing I'm guilty of the same at the end of the record. There are a lot of 'fuck you' songs because every heavy band likes writing those. But overall, the lyrics are more introspective and quite loving." Rambunctious, bounda

Continuing our legacy of reminding people Nirvana had a record before Nevermind, Sub Pop Records presents a non-deluxe, affordably-priced, single-LP version of Bleach, Nirvana s debut album. Originally released by us in June of 1989, Bleach was widely recognized as a record music retailers should probably order after that one with the naked baby on the cover did so well in 1991. Now we proudly suggest you order this sturdy single-LP version of Bleach containing the full remastered album as found on the Bleach: Deluxe Edition 2LP, SP834 and a pretty printed inner sleeve. We promise it will sell. Eventually.

Double clear, black, and red marbled vinyl LP pressing. 2022 release. Seven years after Beyond The Red Mirror and almost three after the orchestral opus Blind Guardian Twilight Orchestra: Legacy of the Dark Lands, Blind Guardian invites you to their personal twilight of the gods. "After Beyond The Red Mirror and Legacy Of The Dark Lands, we knew we couldn't push the orchestral side of Blind Guardian any further," vocalist Hansi Kürsch says. The new directive while creating The God Machine was fairly straight-forward but ever so welcome: "Less orchestration, more punch." In 2022, the opulent arrangements and powerful choirs still exist; yet they are used in a much more selective, focused and resonant manner. The God Machine marks another pinnacle in Blind Guardian's impressive discography by not attempting to pretend it is still the nineties yet instead successfully relying on the muscle memory of this period. It is a gripping, addictive and brilliantly arranged album in the tradition of records with which Blind Guardian reached for the stars in the 90's; yet, by no means, is it a throwback. The God Machine represents the heart and soul of Blind Guardian's timeless metal in the here and now, unifying the bards' past, present and future secrets in one consistent, well thought out masterpiece.

GRAMMY and Americana Award-winning singer/songwriter and violinist, Amanda Shires, has pushed the reset button with Take It Like a Man, a record that is so unlike anything she has ever recorded that you would be tempted to think it was her debut album instead of her seventh. Shires, who also plays in The Highwomen, worked with producer Lawrence Rothman to make a fearless confessional, showing the world what turning 40 looks like in 10 emotionally raw tracks. Indie Exclusive White LP with lyric sheet.

One In A Million is the second studio album by Aaliyah. First released in 1996 by Blackground Records, the album features production from a variety of producers including Timbaland, Missy Elliot, Carl-So-Lowe, J. Dibbs, Jermaine Dupri, Kay Gee, Vincent Herbert, Rodney Jenkins, Craig King, Darren Lighty and Darryl Simmons. With countless accolades, One In A Million remains one of the most influential albums in Hip-Hop & R&B and proved to be a major breakthrough in Aaliyah's career. Welcome to the new world of funk.

25-year-old GRAMMY-nominated artist Marcus King prepares to release his new album, Young Blood, produced by Dan Auerbach of The Black Keys via Rick Rubin's American Recordings/Republic Records. He has toured with The Marcus King Band for over 10 years, as well as tours with Chris Stapleton, Greta Van Fleet, and Nathanial Rateliff. He’s released 3 LPs with The Marcus King Band before his GRAMMY-nominated 2021 solo debut LP, El Dorado. Indie Exclusive Yellow LP.

2022 release, the ninth album from the Las Vegas-based metal band. Five Finger Death Punch has amassed over 8 billion streams and 3 billion video views to date and have sold over one million tickets between 2018 and 2020 alone. Afterlife features the singles 'Welcome to the Circus', 'IOU', and the title track.

This album was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilisation of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.

AMON AMARTH / GREAT HEATHEN ARMY - Amon Amarth Announce New Album "The Great Heathen Army" Out August 2022. One of the best-loved metal bands in the world, AMON AMARTH are firmly dedicated to aiming high when they hit the studio. Recorded with esteemed studio guru Andy Sneap at the controls, 'The Great Heathen Army' represents another bold leap forward for the band, as their trademark sound undergoes yet another skilful, evolutionary overhaul, both lyrically and musically. From the noisily rabble-rousing "Find A Way Or Make One" and the pummelling, pugilistic "Get In The Ring", to the evocative fury of "Saxons & Vikings" and the cinematic squall of the title track, 'The Great Heathen Army' encapsulates the essence of this legendary band, while still allowing acres of space for new ideas. METAL BLADE

HOLY FVCK is the 8th studio album from GRAMMY-nominated, global superstar Demi Lovato. Released in 2022 via Island Records, the 16-track album is a sonic journey grounded in Demi’s rock and pop roots, an earnest yet tongue-in-cheek retrospective of their life experiences. Illustrated by its leading single, “Skin of My Teeth,” Demi explores finding the inner strength to overpower the demons within. Red LP.

Harry Styles, the highly anticipated self-titled debut album from the global superstar. The ten track album features the lead single "Sign of the Times," which topped the charts in over 80 countries upon its release day. "Sign of the Times" was produced by Jeff Bhasker and co-written by Styles, with additional production by Alex Salibian and Tyler Johnson. The album is available digitally, and in three physical formats: a LIMITED EDITION HARDCOVER BOOK version of the CD featuring 32 pages of exclusive images from the recording process, a standard package CD, and a vinyl LP version in a gatefold jacket.

Following the commercial success of the 2021 album Unf*ckwitable and an overall banner year for the Detroit rapper, Babyface Ray comes with the aptly titled and highly anticipated album, FACE, which sees him stake his claim as "The Face of the City." Production on the twenty-track album is largely handled by 808 Mafia, DJ Esco and others, and features appearances from Icewear Vezzo, Yung Lean, Pusha T, G Herbo, Wiz Khalifa, 42 Dugg & Landstrip Chip. With an already impressive list of cosigns from artists such as Future and Tyler, The Creator, Babyface Ray continues his all-out assault to put Motor City on the map and isn't taking his foot off the gas anytime soon.

Vinyl LP pressing. The Swedish heirs of 80s Hard rock, H.E.A.T, return with a 2022 studio album and deliver the rockin' summer soundtrack of the year. Two years after H.E.A.T II, the band once again presents an album that kicks ass. Not only sonically but also visually the band cranks it up a notch. For the music videos as well as the whole art theme & aesthetic, a vibrant fictional world has been built, creating an exciting surrounding for the band's energetic album.

Double vinyl LP pressing. 2022 release from the enigmatic world music collective. Heilung comment in their own words: Drif means gathering. A throng of people, a horde, a crowd, a pack. In symbiosis with the album title, Drif consists of a flock, a collection, a gathering, a collage of songs, that much like little flames were seeking towards each other, to join, to bond, to create, and be greater together. This album has very clearly dictated it's own path. Our attempts to tame it was repeatedly fruitless and once we came to this realization, the creative flow surged forward with immense force. So much so that sometimes it felt like the songs wrote themselves. All the songs on Drif have their own stories. They have each their place and sense of belonging, with inspiration not only from Northern Europe, but from the ancient great civilizations.

Charged by the creative force of Phil Lynott, the legendary Irish hard-rock band Thin Lizzy combined working class romanticism and Irish folk law with piercing dual-guitar lines. Issued in 1979 as the follow-up to Live And Dangerous by a line-up of Phil Lynott, Scott Gorham, Brian Downey and well-suited new guitarist extraordinaire Gary Moore, Black Rose: A Rock Legend stands as both Thin Lizzy's last true classic and the most successful album of their influential career. Home to the staples "Waiting For An Alibi," "Do Anything You Want To Do," "Got to Give It Up" and "Sarah." Gatefold colored 180g vinyl LP reissue from Friday Music, mastered by Joe Reagoso at Friday Music Studios.

VIVA LAS VENGEANCE shows a change in process for frontman/songwriter Brendon Urie, having cut everything live to tape in Los Angeles alongside his friends and production partners, Jake Sinclair and Mike Viola. The cinematic musical journey is about the fine line between taking advantage of your youth, seizing the day and burning out. The songs take an introspective look into his relationship with his decade plus career including growing up in Las Vegas, love, and fame.

Limited black and white colored vinyl LP pressing including digital download. Reissue of 2017 debut studio album by rapper Xxxtentacion. It was released on August 25, 2017, by Bad Vibes Forever and Empire Distribution. It features 11 tracks and was supported by the lead single "Revenge". 17 is X's second solo commercial project, succeeding the compilation mixtape Revenge, also released in 2017. It includes a guest appearance from Trippie Redd and uncredited vocals by Shiloh Dynasty, as well as production from X himself, Nick Mira, Taz Taylor, Dex Duncan, Natra Average, Dub tha Prodigy, and Potsu. The album experiments with a variety of genres, such as emo, indie rock, and lo-fi. The album charted at #2 on the US Billboard 200. The album won Favorite Soul/R&B album award at the American Music Awards.

Coming out on July 1, Jazz Codes is Moor Mother's second and latest album for Anti- and a companion to her celebrated 2021 release Black Encyclopedia of the Air. Jazz Codes uses free jazz as a starting point but the collection continues the recent turn in Moor Mother's multifaceted catalog toward more melody, more singing voices, more choruses, more complexity. In it's warm, densely layered course through jazz, blues, soul, hip-hop, and other Black classical traditions, Jazz Codes sets the ear blissfully adrift and unhitches the mind from habit. Through her work, Ayewa illuminates the principles of her multidisciplinary collaborative practice Black Quantum Futurism, a theoretical framework for perceiving and adjusting reality through art, writing, music, and performance, informed by historical Black ontologies.The songwriter, composer, vocalist, poet, and educator Camae Ayewa spent years organizing and performing in Philadelphia's underground music community before moving to Los Angeles to teach composition at the University of Southern California's Thornton School of Music. She released her debut album as Moor Mother, Fetish Bones, in 2016, and has since put out an abundance of acclaimed music, both as a solo artist and in collaboration with other musicians who share her drive to dig up the untold. She has performed and recorded with the free jazz groups Irreversible Entanglements and the Art Ensemble of Chicago, and made records with billy woods, Mental Jewelry, and YATTA.

After three studio albums and over a decade deep into the music game, THE INTERRUPTERS deliver their new album, In The Wild. This 14-track opus is the real deal; it’s a story of survival, a story of resilience, by a band being bold and rejecting the easy impulses of simply repeating what’s worked before. Together during lockdown, Aimee Interrupter, partner and guitarist Kevin Bivona, and his younger twin brothers, Jesse (drums) and Justin (bass), decided to put idle hands to work. After building a home studio in their garage together, Kevin stepped up and took charge of production duties to become “the accountable one” this time around. The record took shape in an unforced and organic fashion, and the recording process was evidently a fun one, which is reflected in the sound of the album, gliding across a spectrum of breathless punk rock, doo-wop, gospel, dancehall, and the band’s customary nods to the lineage of two-tone. It’s further evidenced in the uplifting spirit and the glittering rollcall of guests (Tim Armstrong, Rhoda Dakar, Hepcat, The Skints) involved too. Thanks to the cocoon of the intimate environment they’d built and relaxed working practices, the results made for the most personal Interrupters album to date, as well as being the one all four feel most connected to.

The follow-up to their 2018 breakthrough album, Fight The Good Fight, which spawned multiple singles including “She’s Kerosene”, with over 50 Million streams to date. This smash-hit sent the band to the top of the radio charts and across the globe, playing live with everyone from Dropkick Murphys to Green Day. It was Spring 2020 as they were headed out on an 8-week Hella Mega stadium tour in support of Green Day, Weezer, and Fall Out Boy, when like the rest of the world, the band’s plans went kaput. The forced time at home gave them a period of much-needed rest, followed by an injection of creative energy that led the band to write over 80 songs, curate a live album and documentary film about their lives and their first trip to Japan. THE INTERRUPTERS will be back on the road starting this Spring, co- heading with Flogging Molly and touring through the remainder of 2022 and beyond.

Drawing frequent comparisons to mind-altering progressive death metal acts, Artificial Brain have distinguished themselves from their peers through an emphasis on rich, melancholic melodic figures, contextualizing the harmonic and emotive qualities of black metal within a more aggressive death metal framework. Dissonance is threaded through elegiac, otherworldly chordal structures; saturnine tremolo melodies float along in the high registers of the instruments; guitars and bass traverse distinct paths before locking into harmonic orbit. These elements, anchored by blast beats and bellowing guttural vocals, create a sense of contrast that has come to characterize the band's sound over the past decade.

Double vinyl LP pressing including download insert. 2009 collection from Dave Grohl and the Foos including two brand new tracks, 'Wheels' and 'Word Forward', both recorded with producer Butch Vig (who also produced Grohl's former band, Nirvana!). This excellent collection features some of the finest melodic Rock released in the last 15 years including 'The Pretender', 'All My Life', 'Learn To Fly', 'Best of You', 'Times Like These', 'My Hero', 'Everlong', and many more.

Random Access Memories is the new album from Daft Punk. Collaborators include Nile Rodgers, Chilly Gonzalez, Giorgio Moroder, Julian Casablancas, Pharrell Williams, Paul Williams, Todd Edwards, Panda Bear and DJ Falcon. Vinyl edition of Random Access Memories is pressed in Europe on two high quality 180 gram LPs and presented in gatefold packaging with an 8 page booklet. Download code also included.

Tracks, Welcome to the Jungle; It's So Easy (Explicit); Nightrain (Explicit); Out Ta Get Me (Explicit); Mr. Brownstone (Explicit); Paradise City; My Michelle (Explicit); Think About You (Explicit); Sweet Child O'Mine; You're Crazy (Explicit); Anything Goes (Explicit) and Rocket Queen (Explicit). Universal. 2008.

Florida four-piece, Fame On Fire are back with their second album, Welcome To The Chaos, which includes hit single "Plastic Heart". The band continues to push the boundaries of rock, hip-hop and nu-metal by blending all musical elements seamlessly. Welcome To The Chaos is their most crushing, emotional and aggressive work yet!

Vinyl LP pressing. 2022 release. Produced by Nas' longtime collaborator Hit-Boy, Nas shares Magic, the transcendent 9 track album including Wave Gods ft. A$AP Rocky and DJ Premier. Magic follows the August 2021 release of Grammy nominated album, King's Disease II.

Color Green is an American Rock and Roll Duo based in Los Angeles, consisting of Noah Kohll (Current Joys, Young Guv, Surf Curse, Dark Tea) and Corey Madden (Richard Rose, Grave Flowers Bongo Band).Their sound culls from the eternal solitude of working musicians, the feeling of infinite transition, and the need to create a space that transmits the strange sounds of American music. Pulling from the Allman Brothers, Acetone, the Grateful Dead, and other acts from the dusty storage boxes of their attics, Color Green are searchers for a continuation of classic songwriting through the use of collaboration and close examination of the relics of yesterday's past, while maintaining the spirit of their present selves. The duo formed in Ridgewood, Queens in 2018. They created a 4 song self-titled debut EP released by Maximum Exposure in 2020. Recently signing to ORG Music for a co-release with Aquarium Drunkard, Color Green's highly anticipated debut album will premiere on 7/22/22.

Double LP housed in gatefold jacket with printed sleeves. LP1 (full album) on translucent turquoise color vinyl / LP2 (demos) on translucent orange. Full album download included. Merge Records is thrilled to release the 35th anniversary edition of Neurotica, the 1987 power pop and alternative rock opus by Redd Kross. This reissue will be available worldwide on a single CD or color vinyl 2-LP on June 24, 2022. Both formats include the original album, remastered by JJ Golden (Pearl Jam, Thee Oh Sees), as well as 12 previously unreleased demos from the era (rediscovered recently in the archives of the band’s original A&R guy, Geoffrey Weiss). The double vinyl edition—the album on translucent turquoise, the demos on translucent orange—arrives in a slick gatefold jacket. In some ways, Neurotica can be viewed as a This Is Your Life–esque document of what brothers Jeff McDonald and Steve McDonald had been working towards creatively since starting Redd Kross in their Hawthorne, CA, living room circa 1978. The songs quake with punk rock fury, no doubt about it… I mean, how could they possibly have shaken off all that untamed energy of their early years (the Red Cross years, one might call them) after it helped build such a strong foundation for Southern California hardcore punk & DIY culture (and, arguably, indie rock as a whole) alongside bands like Black Flag, Circle Jerks, and Descendents? But that fury is only one part of the Neurotica formula. To find the other parts, you’d have to go back to the early- to mid-’70s when the McDonalds, then adolescents, lived for nothing but Saturday morning cartoons, sugary cereals, bubblegum pop singles and Beach Boys LPs, Partridge Family TV specials, and the bombastic arena-rock guitars of acts like KISS and Cheap Trick. Whereas classic ’60s/’70s radio and pop culture schmaltz served as fodder for most self-respecting punk rockers of the time to sneer at (even if they secretly were fans), it formed a tremendous part of the Redd Kross DNA. The band wore these influences on their day-glo sleeves and didn’t really care who was offended. The McDonalds enlisted a grand crew of musicians that included guitarist Robert Hecker, keyboardist Paul Roessler (Screamers, Nervous Gender), and Roy McDonald (The Muffs) on drums. And in the producer’s chair guiding the young bucks? Tommy Erdelyi, aka Tommy Ramone, one of the originators of punk rock melody. Unshakeable hooks would inspire rave reviews at the time of the album’s original release in 1987. The L.A. Times’ Craig Lee wrote: “In an age when too many bands base their music either on calculated career moves or heavy-handed pretensions, Redd Kross is as breezy as a kiss in the wind, a band born to rock in a world that forgot how.” Plain and simple, Neurotica is just a fantastic piece of art. Unsurprising that something of this caliber would hatch from the minds of two brothers who changed the face of punk rock before they were old enough to drive a car, and the face of alternative rock before they were old enough to rent one.

1LP Half-Speed Master in Newspaper Packaging

Thick As A Brick (50th Anniversary Edition) - In 1972, Jethro Tull released the instant classic, Thick As A Brick. 50 years on and the album is still revered as one of rock's and progressive rock's most definitive and pioneering albums .

In 1972, Jethro Tull released the instant classic, Thick As A Brick. 50 years on and the album is still revered as one of rock's and progressive rock's most definitive and pioneering albums. To celebrate the 50th anniversary, Thick As A Brick has been reproduced in its original format, the legendary 12-page newspaper. The vinyl is a half-speed master of Steven Wilson's 2012 remix.

Thick As A Brick came about following the release of Jethro Tull's immensely successful previous album "Aqualung". Upon its release, Aqualung was regarded a concept album in the music press, and in response the band set about to respond to the rock critics with the ultimate concept album, culminating in Thick As A Brick.

Unlike any other records on the market, the album is set inside a broadsheet newspaper, "The St. Cleve Chronicle & Linwell Advertiser". The newspaper includes many news articles packed full of continuing jokes, a crossword, connect-the-dots and much more. It was originally written by Ian Anderson, Jeffrey Hammond and John Evan, with the newspaper taking longer to put together compared to the music. As reported in the paper, the lyrics were credited at the time to the fictitious child character, Gerald Bostock, whose parents supposedly lied about his age. Amongst the many articles is a frank review of the album itself. Thick As A Brick was the first album to feature drummer Barrie Barlow, who featured alongside Ian Anderson, Martin Barre, John Evan and Jeffrey Hammond.

A must for any record collection, the album is a half-speed master of Steven Wilson's 2012 remix, providing the ultimate audio experience of the progressive rock classic.

JETHRO TULL / THICK AS A BRICK (50TH ANNIVERSARY EDITION)

LIZZO / SPECIAL - When you love yourself, anything becomes possible. Channeling boundless self-confidence through a downright earth-quaking voice, colorful persona, and undeniable star power, Lizzo struts into the spotlight and steps up with a whole lot of sass, spirit, and soul. Embracing her vocal range like never before and celebrating herself to the fullest, she speaks her mind, censors nothing, and delivers an enviable level of honesty, pure passion, and fresh fire.

Joe Barresi’s new mix of Holy Diver released as a 2-LP set on 180-gram vinyl. It includes the original nine tracks, plus the 1983 B-side version of “Evil Eyes” as a bonus track. Side four is decorated with an etching of the legendary demon Murry that graces the album’s iconic cover. The vinyl is kept in a gatefold sleeve that shows off newly commissioned artwork by longtime Dio artist, Marc Sasso.

Shout At The Devil - Mötley Crüe - Shout at the Devil is Mötley Crüe's second studio album originally released in 1983. It was the band's breakthrough album, establishing Mötley Crüe as one of the top selling heavy metal acts of the 1980s. The singles "Looks That Kill" and "Too Young to Fall in Love" were moderate hits for the band.

Flume kicks off a new cycle with his highly anticipated third album, Palaces. The 13-track LP shows off his ability to expertly push the boundaries of a sound he helped define, while delivering songs that are still undeniably "Flume." Flume is an artist that has remained uncompromising in his vision and artistry since the beginning, and Palaces is no exception. Featuring a diverse range of artists from rising stars like Caroline Polachek, to established tastemakers like Damon Albarn, this album spans across genres, igniting his fan base and taking him to new heights, creating the perfect launch pad for his upcoming world tour.

The Black Parade, My Chemical Romance's follow-up to its 2004 platinum major-label debut Three Cheers For Sweet Revenge, "is way more dramatic, way more theatrical, completely over the top, borderline psychotic," says Gerard Way. "It's the most pure, intense thing we've ever been involved in." Produced by Rob Cavallo (Green Day), the album is a celebration of love and death and darkness. Join The Black Parade.

Dr. Feelgood - Mötley Crüe - Dr. Feelgood (stylized as Dr. FEELGOOD) is Mötley Crüe's fifth album originally released in 1989. Dr. Feelgood topped the Billboard 200 chart. It was the first album Mötley Crüe recorded after their quest for sobriety and rehabilitation in 1989. In addition to being Mötley Crüe's best selling album, it is highly regarded by music critics and fans as the band's best studio album. This was also the band's last album to be recorded with lead singer Vince Neil until the 1997 album Generation Swine.

On Monday May 9th we kick off our next black midi campaign for the band's sophomore album Hellfire, with the single & Gustaf Holtenäs ("Slow") directed video "Welcome To Hell". Hellfire will be out on July 15th. The album was written in London 2021 and produced by Marta Salogni and black midi, with additional production from Max Goulding. Artwork was created by David Rudnick (who's done the artwork for all previous black midi albums as well), using AI technology into which he fed lyrics from the album to generate imagery which was then printed, cut up and reconfigured into a detailed and complex collage.

No band can quite build their own universe like black midi. Hellfire, their third album and second in two years sees the London three piece at their most direct. "Welcome To Hell" tells the story of a debauched soldier's excess and military discharge, soundtracked by funky guitar sections, driving horns and a progressively snarling vocal. Premiered by Steve Lamacq on 6 Music. 2022 live dates incl Coachella, Glastonbury, Somerset House, more to be announced. 

Released via Columbia Records, Call Me If You Get Lost is Tyler's sixth studio album and includes additional guest appearances from 42 Dugg, Lil Wayne, Domo Genesis, Brent Faiyaz, Lil Uzi Vert, Pharrell Williams, Teezo Touchdown, Fana Hues and Daisy World.

Songs created in the shadow of terror and loss, but that crackle and pop with defiance, wrestled into being over one of the most extra-ordinary years in recent history. This is Fear Fear, a record made for agitating and dancing, for heart and soul, for here, now and tomorrow. The complete vision, that top-to-bottom rigour, is what makes the second album from Working Men's Club such a stunning and totally unique achievement. "The title summarises a mood that's been around for 18 months - and, in fact, for a lot longer. There's a miserable kind of war that's going on. People are scared of things aside from coronavirus. It documents time during lockdown to an extent, but it isn't just about that," he explains. "The first album was mostly a personal documentation lyrically, this is a blur between personal and a third-person perspective of what was going on." Making the busy feel finessed and the dreadful feel magical - Fear Fear manages those feats, and then some. Or, as Syd Minksy-Sargeant puts it: "We just set out to make the best-sounding album we could."

"Fresh grief, like fresh love, has a way of sharpening our vision and bringing on painful clarifications. No matter how temporary we know these states to be, the vulnerability and transformation they demand can overpower the strongest among us.

Then there are the rare, fertile moments when both occur, when mourning and limerence heighten, complicate and explain each other; the songs that comprise Angel Olsen’s Big Time were forged in such a whiplash.

“I can’t say that I’m sorry / when I don’t feel so wrong anymore,” the record begins, her voice softer and more open than ever, as if she’s singing through a hard won smile. “All the Good Times”, a twangy banger with nods to JJ Cale, starts the album on a triumphant and bright note. The title song, “Big Time”, follows and continues the warm optimism. “Guess I had to be losin’ to get here on time,” she sings, a fearless love song co-written with her partner.

Big Time is an album about the expansive power of new love, but this brightness and optimism is tempered by a profound and layered sense of loss. During Olsen’s process of coming to terms with her queerness and confronting the traumas that had been keeping her from fully accepting herself, she felt it was time to come out to her parents, a hurdle she’d been avoiding for some time.

“Some experiences just make you feel as though you’re five years old, no matter how wise or adult you think you are,” she writes of that time. After that tearful but relieving conversation, she celebrated with her partner, their friends, oysters, and wine. “Finally, at the ripe age of 34, I was free to be me.”

Three days later, her father died; his funeral became the occasion for Olsen to introduce her partner to her family. Though she was fearful their presence as a newly out queer couple would be “an additional symbol of loss,” those days went peacefully, yet only two weeks later Olsen got the call that her mother was in the ER. Hospice came soon after, and a second funeral came quickly on the heels of the first. Another trip back to St. Louis, another grief to face, another deepening and intensification of this still-new love.

The shards of this grief—the shortening of her chance to finally be seen more fully by her parents—are scattered throughout the album. “It’s a hard time again,” she sings on “This is How It Works”, pushing against the irrevocability of death, “Tell me a story that will make me forget.” “Go Home”, which begins with an almost numbed calm, slowly builds up to a wailing that comes up straight from the ground: “I want to go home, go back to small things. I don’t belong here. Nobody knows me.”

“You can’t plan grief, you can’t organize it or schedule it or know how you’ll feel when it comes. It just happens, and when it does sometimes it’s not what you thought it would be.” Three weeks after her mother’s funeral she was in the studio, recording this incredibly wise and tender new album.

Loss has long been a subject of Olsen’s elegiac songs, but few can write elegies with quite the reckless energy as she. If that bursting-at-the-seams, running downhill energy has come to seem intractable to her work, this album proves Olsen is now writing from a more rooted place of clarity. She’s working with an elastic, expansive mastery of her voice—both sonically and artistically. These are songs not just about transformational mourning, but of finding freedom and joy in the privations as they come.

Playful bits of Tammy Wynette and Kitty Wells are here, too, but so are the complex orchestrations of her genre-bending 2019 record, All Mirrors. While that record was full of dramatic shifts and twists, here the surprises come in their simplicity—a slow swell of strings, instrumentation that cycles like a storm, or sparkling horns in a light-flooded break-up ballad.

While the spritely nature of her last EP, Aisles, may have signaled Olsen’s turn deeper into the electronic direction of her last All Mirrors, there’s hardly a synth in sight here. Jonathan Wilson, served as co-producer and also mixed the tracks, while Drew Erickson played piano, organ, and scored the string arrangements. Emily Elhaj, Olsen’s longtime bandmate, was a consistent collaborator as well, on the bass throughout.

“And I can’t fit into the past that you’re used to, I refuse to,” she sings as a wraithlike piano scaffolds her hopeful voice on “Ghost On”. “Forget the old dreams,” she rejoices on “Go Home”, “I got a new thing.” Darkness inherently suggests depth, but it takes a much wiser writer to find meaning and complexity in the luminous place that Big Time occupies. “Chasing the Sun” ends the record in a smiling, romantic place, a verdant crescendo rising as she pines: “Write a postcard to you / when you’re in the other room/ I’m just writing to say that I can’t find my clothes / If you’re lookin for something to do.”

The burning of her earliest work is still here, of course, but this time she’s “freed from the longing / for one moment to last” and she’s ready to “walk through the fires / of all earthly desires.”

—Catherine Lacey
Oaxaca, February 2022"

The Smile will release their highly anticipated debut album A Light For Attracting Attention in May, 2022 on XL Recordings.

The 13- track album was produced and mixed by Nigel Godrich and mastered by Bob Ludwig. Tracks feature strings by the London Contemporary Orchestra and a full brass section of contempoarary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde.

The band, comprising Radiohead's Thom Yorke and Jonny Greenwood and Sons of Kemet's Tom Skinner, have previously released the singles You Will Never Work in Television Again, The Smoke, and Skrting On The Surface to critical acclaim.

SMILE / LIGHT FOR ATTRACTING ATTENTION

Harry’s House is the third solo studio album from Grammy award-winning global superstar Harry Styles. The 13-track full-length album was recorded in multiple locations across the UK, Los Angeles and Tokyo from 2020 to 2021. It was written by Harry alongside frequent collaborators Kid Harpoon, Tyler Johnson, and Mitch Rowland.

Welcome 2 Club XIII, DBT’s 14th studio album, marks a sharp departure from the trenchant political commentary of their last three records.

A reckoning with the dualities of the things that make you alive and how they sometimes can kill you. A life affirming flashlight for the dark nights of one’s soul.  The title track is a tongue in cheek homage to a local dive that founding members Cooley and Hood played in the early days. As they say in the song “Our glory days did kinda suck”.

Vinyl LP pressing in gatefold jacket. 2019 release. Igor is the fifth studio album by rapper Tyler, The Creator. Produced entirely by Tyler, the album follows the 2017 release of Flower Boy. It features guest appearances from Playboi Carti, Lil Uzi Vert, Solange, Kanye West, and Jerrod Carmichael, along with backing vocals from Santigold, Jessy Wilson, La Roux, CeeLo Green, Charlie Wilson, Slowthai, and Pharrell, among others.

Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.

World renowned extreme Metal titans Kreator are back. 5 Years after their incredibly successful "Gods Of Violence" album (2107, #1 in the German album charts, #4 in Austria, #7 in Czech Republic and Finland + chart entries in numerous other territories), the genre-defining band presents their most political effort to date. "Hate Ãœber Alles" (in tradition of US punk icons DEAD KENNEDYS' "California Ãœber Alles") is a bold statement against hate and the division of society in today's world. While perfecting their signature sound of thrash metal that inspired countless other bands over the past 4 decades, Kreator have managed to close the gap between the old and new school, still reaching new audiences, playing sold out shows to even bigger crowds as they move on. "Hate Ãœber Alles" features 11 tracks that once again show who's boss in this game that many begin but only few ultimately last in. The crushing frenzy of the title track, the pounding "Strongest Of The Strong" featuring world famous vegan strongman Patrik Baboumian, the nostalgia of "Become Immortal" or the extravaganza of "Midnight Sun" make the band's 14th album their most diverse and thrilling so far. "Hate Ãœber Alles" will be accompanied by massive online and out-of-home campaigns, leading up to the band's European co-headlining tour with Grammy-nominated US powerhouse LAMB OF GOD in November/December 2022. The album is available in various lavish vinyl editions featuring a beautiful, yet grim trifold artwork by famous artist Eliran Kantor (TESTAMENT, SOULFLY, HELLOWEEN, HEAVEN SHALL BURN, HATEBREED among others) as well as CD.

2022 Release. Welcome back, A Wilhelm Scream - Lose your Delusion. The fiery punk rock outfit are back just shy of a decade without new music. The band has just released their first new album in nine years, a pulse-pushing new song called "Be One to No One" is the lead track. Watch out The Wilhelm Scream is Back!

2011 vinyl LP pressing reissue of the 1977 multi-platinum RUMOURS album, the sixth biggest-selling album of all time, with sales upwards of 30 million worldwide. The LP garnered 1977's Album of the Year Grammy & spent 31 weeks at #1. It includes the four Top 10 hit singles: "Go Your Own Way", "Dreams", "Don't Stop" & "You Make Loving Fun".

Germany's The Spirit once again delve into the vast nothingness of the universe, while capturing the fear of the unknown and humanity's insignificance within our cosmos in their sound. On their upcoming third offering, "Of Clarity and Galactic Structures", the duo, hold on to their black/death metal roots yet take the progressive elements to a whole new level.

In celebration of the return of Glastonbury Festival in 2022 and the 15th anniversary of the performance, we are pleased to announce the release of Amy Winehouse's 2007 Pyramid Stage set for the first time.

The full concert will be released as a 2LP set on both black vinyl (trade-wide) and crystal clear vinyl (as a D2C exclusive). This performance on the Pyramid Stage was the first of two on the 22nd June 2007, Amy later went on to perform on the Jazz World Stage too.

The artwork includes a foreword by Emily Eavis.

Amy Winehous - Live At Glastonbury 2007 - Double vinyl

Ltd. Silver or Gold LP. Abrakadabra is the new album from Gothenburg's leading exponents of street metal, Hardcore Superstar. Many bands play it safe - Hardcore Superstar doesn't. Paying little attention to the extreme death metal sounds their hometown was renowned for, the Swedish four piece had the balls to marry two styles that grew up hating each other: Metal and Sleaze Rock. The former hard, aggressive and ugly, the latter catchy, melodic and decadent. "Street Metal'", offers drummer Magnus "Adde" Andreasson. "Thrash and sleaze both come from the gutter. They wear big sneakers, they are a bit stupid and they both read pulp fiction. " The success and acclaim of 2018's You Can't Kill My Rock N' Roll inspired the band significantly and writing for the next record enthusiastically started whilst out on tour. Connecting with so many fans has helped to influence the shape and sound of the new record, with drummer Adde commenting that the new album "feels like the record we should have released after the Black album". Abrakadabra containing 10 hard hitting songs exploding with riffs, attitude, intensity and that magical feeling you get when your work is over and the weekend is here. This is an album for the fans and best shared with great friends, cold beers and very loud-speakers!

40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.

Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.

Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).

'The Last of the 20th Century Girls' is the storied second album from London-based artist Findlay - a full-fledged offering born of a personal journey that sees her at her most open, transparent, and introspective yet, drawing upon her own personal experiences since the release of full-length 2017 debut 'Forgotten Pleasures'. With complex, fully-realised themes ranging from grief and loss to the struggle of losing and re-building one's confidence, through to the challenges and pitfalls of the past couple of years, all serve to inspire a range of tracks across the album. Mastered by five-time Grammy award winning engineer Antoine 'Chab' Chabert (Daft Punk, Charlotte Gainsbourg, Sebastien Tellier) and self-described as a "late coming of age story", drenched in nostalgia, melancholy and the kind of strange experiences only a misunderstood millennial could have; the album effortlessly blends a diverse melting pot of breezy alt-indie, psychedelic pop, dreamy lo-fi chill, indie-rock and expansive cinematic sounds. It's Findlay at her genre-melting finest, and a sharp, tasteful insight into her unique artistic psyche; a perfect representation of her impeccable alternative sound.

A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.

The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.

When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.

A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.

Capitalizing on the promise displayed on their 2020 Colossus EP, Chicago's Fer de Lance return with their first LP, The Hyperborean. Filled with atmospheric brilliance, power vocals and woven with acoustic guitars, the album redefines North American metal!

Kanye West delivers a Deluxe Edition of the record-shattering Donda, featuring 4 bonus tracks plus fan-favorite verses from Andre 3k, Kid Cudi and more. This release, from one of “the most influential pop stars of the 21st century,” was his 10th #1 album on the Billboard 200, racking up over 1 billion streams in the first 10 days. Originally previewed at 3 historic livestream events, the global phenomenon topped charts in 11 countries and set an Apple Music record of #1s in 152 countries. 4 LP.

Vinyl LP pressing. 2022 release. Automatic's second album Excess rides the imaginary edge where the '70s underground met the corporate culture of the '80s - or, as the band puts it, "That fleeting moment when what was once cool quickly turned and became mainstream, all for the sake of consumerism." Using this point in time as a lens through which to view the present moment, Excess takes aim at corporate culture and extravagance. The overarching themes of alienation and escapism emerged as Automatic put Excess together, taking writing retreats to flesh out the new songs before decamping to the studio for sprint recording sessions with producer Joo Joo Ashworth (Sasami, FROTH).

Super Deluxe contains 8 LPs on 180-gram heavy vinyl showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Also included is a first-ever 7-inch for “Endless, Nameless” with B-sides “Even In His Youth” and “Aneurysm,” and a 40-page hardcover book with unreleased photos.

Everything Sucks is the fifth studio album by American punk rock band the Descendents, released in 1996 through Epitaph Records. It was their first album of new studio material since 1987's All, after which singer Milo Aukerman had left the band to pursue a career in biochemistry. The remaining members (bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson) had changed the band's name to All and released eight albums between 1988 and 1995 with singers Dave Smalley, Scott Reynolds, and Chad Price. When Aukerman decided to return to music the group chose to operate as two acts simultaneously, playing with Aukerman as the Descendents and with Price as All.

Indie Exclusive Baby Pink LP. Limited Edtiion.

Vaxis II: A Window of the Waking Mind welcomes us back to “The Amory Wars” as the 2nd installment of the new five-part “Vaxis” arc about a couple on the run from tyrannical forces and their mysterious new addition. 

With the 2014 release of deluxe editions of Led Zeppelin, Led Zeppelin II, & Led Zeppelin III, the band will launch an extensive reissue program of all nine of its studio albums in chronological order, each remastered by guitarist and producer Jimmy Page.

Hangman's Chair, formed in 2005 in Paris, are one of the most unique sounding rock bands currently active. Through the years, they have found and fine-tuned their own sonic brand, somewhere at the crossroads between Type O Negative, Alice In Chains and Sisters of Mercy, to name a few, mixed with a certain street credibility connected to the group's roots in hardcore, and even tinges of shoegaze. 'Cold Doom' as the band likes to call it.Each album takes it's strength and essence from the band member's life experiences, which they portrait with unflinching honesty. Whether it is the loss of band members, drug overdoses or the hardships of living in suburban Paris, all those human emotions resonate within each of their songs as they embrace the darkness and transform it into something beautiful, heavy, and melancholic.After five studio albums and a handful of splits / EPs, Hangman's Chair is releasing their sixth studio album, "A Loner", their first record on Germany based, worldwide leading metal label Nuclear Blast. Telling tales about loneliness in all it's forms, this record has all the trademarks that makes Hangman's Chair's music so visceral and will keep you in it's tight grip from the very first listen.

Mascot Records is set to release the 15th Anniversary limited-edition vinyl of Volbeat's second album, 'Rock The Rebel/Metal The Devil', on May 20th 2022 - available for the first time on Glow In The Dark vinyl. This new limited vinyl celebrates both the legacy of the album, and the future that will bring countless more performances of these songs to the stage. Rock The Rebel/Metal The Devil was first released by Mascot Records in 2007, hitting the #1 spot in the Danish album charts and has since gone four-times Platinum in their native country and Gold in Germany launching the band even further throughout Europe and the US. The song "The Garden's Tale," which featured Johan Olsen from Magtens Korridorer, was a #1 hit single, spending 18-weeks in the Danish charts. At the time they were nominated for the "Best Danish Act" at the MTV European Music Awards and had a non-stop year playing the mainstage at festivals such as Roskilde and Wacken Open Air as well as headlining the Metaldome Stage at Graspop and opening for Metallica in Arhaus, Denmark. Volbeat emerged from Copenhagen in 2001. Since then, they've tirelessly clawed their way to rock's upper echelon with endless touring and a string of seven beloved full-length albums which have sold millions of copies and racked up numerous gold and platinum certifications across the globe and spawned eight #1s on the US Mainstream Rock airplay chart (the most ever by a European band).

Limited Edition Gatefold Red Vinyl with 3D glasses. Crisix from Barcelona, Spain is one of the most hardworking young bands on the scene. Their DIY ethics, extraordinary live performance, and positive message brought them to perform hundreds of shows all over the world. They released 5 studio albums. 'The Menace' (2011), 'Rise... Then Rest' (2013), 'From Blue to Black' (2016), 'Against the Odds' (2018), 'Crisix Sessions: #1 American Thrash' (2019), and 'The Pizza EP' (2021).Crisix were among the most active bands during the pandemic. In January 2020 they finished the 14 days sold-out Spanish club tour and immediately started working on new music and projects. In April 2021 Crisix performed a special show for 'Hellfest From Home' recorded and aired by national German/ French Arte TV. In September 2021 Crisix released 'The Pizza EP' along with the first licensed Crisix pizza available in over 20 pizzerias across Spain. In autumn 2021 Crisix did two European tours and were among the very few bands that toured during that hard period. They released a mini-movie, the first video game, and the first band-written cookbook 'Speed metal kitchen of doom'. Crisix are great representatives of new thrash and mosh generation. 'Full HD' will be pre promoted with a European tour in March, 3 special shows in Spain, before heading to 20 days 'Hellfest Warm up' tour. On June 24th 2022 Crisix will perform at Main Stage of already sold out Hellfest and other Summer festivals.This album will drive you through different metal sonic spheres, with one common thing- Mosh ! 'Full HD' was recorded in Barcelona and mixed and mastered in the USA by Pete Rutcho (Havok, Revocation). The album cover was done by Joel Abad. For fans of : Exodus, Sepultura, Anthrax, Municipal Waste

Rolling Blackouts Coastal Fever return in 2022 with Endless Rooms, the Melbourne quintet's third album proper. Described by the band - comprised of Fran Keaney, Joe White, Marcel Tussie and brothers Tom Russo and Joe Russo - as them "Doing what we do best: chasing down songs in a room together", Endless Rooms stands as a testament to the collaborative spirit and live power of RBCF. While initial ideas were traded online during long spells spent separated by lockdowns, the album was truly born during small windows of freedom in which the band would decamp to a mud-brick house in the bush around 2hrs north of Melbourne built by the extended Russo family in the 1970s. There, it's 12 tracks took shape, informed to such an extent by the acoustics and ambience of the rambling lakeside house that they decided to record the album there. The house also features on the album cover. For the first time, the band self-produced the record (alongside engineer, collaborator and old friend, Matt Duffy), creating their most naturalistic and expansive document yet. The result is a collection of songs permeated by the spirit of the place; punctuated by field recordings of rain, fire, birds, and wind. "It's almost an anti-concept album," say the band. "The 'endless rooms' of the title reflects our love of creating worlds in our songs. We treat each of them as a bare room to be built up with infinite possibilities."

LABYRINTHITIS brims with mystic and intoxicating terrain, the threads of Dan Bejar’s notes woven through by allusions at once eerily familiar and intimately perplexing. The record circuitously draws ever inward, each turn offering giddy surprise, anxious esoterica, and thumping emotionality at equal odds. “Do you remember the mythic beast?” Bejar asks at the outset of “Tintoretto, It’s for You,” the album’s first single, casting torchlight over the labyrinth’s corridors. Delivered in a Marlene Dietrich smolder, Bejar’s lyrical menace seeps like smoke through the brazen march’s woozy synths and dizzied guitar. “There’s some character here that feels new to me, a low drawl, an evening gown draped over a piano,” Bejar says of the song. Throughout, LABYRINTHITIS insists that everything’s not all right, but that even isolation and dissolution can be a source of joy—stepping into the sunlight at the other end of the maze in your ear, Bejar strolling alongside like a wildmaned,
leisure-suited minotaur.

More than an arcane puzzle for the listener, LABYRINTHITIS warps and winds through unfamiliar territory for Bejar as well. Written largely in 2020 and recorded the following spring, the album most often finds Bejar and frequent collaborator John Collins seeking the mythic artifacts buried somewhere under the dance floor, from the glitzy spiral of “It Takes a Thief ” to the Books-ian collage bliss of the title track. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery. “John is in his 50s, and I’m almost there, but we used to go to clubs,” Bejar laughs. “Our version may have been punk clubs, but our touchstones for the album were more true to disco.”

Bejar and Collins conducted their questing in the height of isolation, Collins on the remote Galiano Island and Bejar in nearby Vancouver, sending ideas back and forth when restrictions didn’t allow them to meet. “From the vocal manipulation to the layered electronics, making this record pushed us to a new place, and reaching that place felt stressful,” Bejar recalls. “But I trust that that stress is a good feeling.” That cuddly anxiety excels in tracks like “Eat the Wine, Drink the Bread.”

Lyrically, LABYRINTHITIS embraces a widescreen maximalism, blocks of text dotted with subversions and hedges. Building from the koans of Have We Met, Bejar continues to carve his words precisely, toying with expectations and staid symbols, while Collins’ production reconstructs the pieces into a unified whole. “Even though everyone recorded in their own isolated corners, this is the most band record that we’ve done in the last few years,” Bejar says. “Everything’s manipulated, but the band is really present, and our plans wound up betrayed by what the tracks wanted. I’ve written 300, 400 songs in my adult life—I don’t know how to do anything else—but this album feels like a breakthrough into new territory.”

That unprepared synchronicity and mutual discovery shines on “June,” a six-and-a-halfminute track that features a blend of funk bass, fluttering synth, and charred poetry recitation. While Bejar initially envisioned LABYRINTHITIS as a straight dance record (“just like Donna Summer’s greatest hits”), the end of “June” explodes that simplicity into a million shining pieces, finding joy in mutual discovery instead of isolated certainty. LABYRINTHITIS closes on “The Last Song,” Bejar singing and strumming all alone, a gentle yet no more settled exodus out of the fractured dance party. “I try and sneak in sweet moments where I can,” Bejar laughs. As LABYRINTHITIS closes, the reorienting vertigo lingers, its implacable aura and bewitching lyrics wriggling ever deeper into the mind.

Limited orange colored vinyl LP pressing. 2022 release. When you strip everything else away, we rely on our animal instincts to survive. In the face of danger, we either flee or fight without hesitation. No matter how many perceived differences exist between us, we breathe the same air, drink the same water, and eat the same way to subsist. Dragged Under naturally harness this primal power in their hard-hitting hybrid of punk, rock, metal, and hardcore. Choosing to progress, the Seattle quintet sharpen their claws, teeth, and style on their second full-length album, Upright Animals. With animalistic energy, Dragged Under charged out of the gate in 2020 on their debut The World Is In Your Way. The album generated streams in the tens of millions and earned widespread critical acclaim.

Limited red/yellow colored vinyl LP pressing. Includes digital download. Reissue. Don't Break the Oath is the second studio album by Danish heavy metal band Mercyful Fate, originally released in 1984. The style Mercyful Fate employed on Don't Break the Oath resembled a mixture of heavy metal with progressive elements, lyrically preoccupied with Satan and the occult and distinguished by King Diamond's theatrical falsetto vocals. Although very influential to future black metal bands due to it's lyrical content, the music itself is more reminiscent of traditional heavy metal.

Bobby Oroza puts his desire for the profound on wax with his sophomore album Get On The Otherside. Musically, he has updated the formula we were introduced to on the first record. But lyrically, songs are bravely rooted in the more complicated, ubiquitous inner tangles of life like self-examination and coming to terms with the vastness of the human experience.

With Coronavirus bringing the world to a halt, Bobby—a father and husband—had to do something. No tours to play or studio time to ll, Bobby found himself back in the construction yard, doing blue-collar work to provide for his family. "I was super grateful for the work—a lot of my colleagues didn't have an option like that," Bobby admits. More than a few personal hardships forced him to acknowledge and work through some brutal truths.And what came of it? Well, for one, this new record Get On The Othersidewhich pretty well describes what Bobby's been through: He had to demolish his ego, his old ways of thinking, and his tried approaches to anchor into a refreshed perspective with new understandings.

As Bobby tells it, "I had to do some real self-searching, come to terms with what was wrong, and how much of it I was responsible for." So how does this translate to the new album? Moments of clarity as to where the real value in life lies on “I Got Love”, encouraging numbers like the title track “The Otherside”, and declarations of self actualization on “My Place, My Time”.Even the more straightforward love songs are outside the box lyrically like“Sweet Agony” and “Loving Body”. If you have never had the pleasure of catching one of Bobby’s live shows you may have no idea that he is a maverick on the guitar. He lets us in on a little of that on “Passing Things” with a solo that possesses the same restrained and space that his lyrics do.

As we'd expect, the songwriting still has that raw, direct edge to it. But an evolution has taken place. There are new points of view on familiar territory which in Bobby’s words "For me to love, I needed to take a bigger view of love. One with less ego and more empathy” really hold true. The result is a record with Bobby’s new found humility on full display and a message of encouragement to anyone who is struggling and can’t see a way out.

It still may be hard to nail down and dene Bobby and his sound. He's no one thing more than the other. But what he's showing us now, on Get On The Otherside, is that we can also label him a soulful, philosophical optimist.Someone who can say a lot with a little, and who wants us all to know that it's us that has to do the hard lifting to truly live a life in love—both with the world and with yourself.

Limited colored vinyl LP pressing. Includes digital download. Reissue. Fatal Portrait is the debut album by the heavy metal band King Diamond. The album was released in 1986. Fatal Portrait was produced by Rune Hoyer. Along with The Spider's Lullabye, this is one of the band's only albums which is not a whole concept album. This album has sold over 100,000 copies in North America alone. The title of the album comes from The Picture of Dorian Gray by Oscar Wilde. Wilde describes the painting as "the fatal portrait" several times throughout the novel.

Record-breaking OLIVIA RODRIGO is releasing her debut album featuring the global smash "drivers license" and her current hit "deja vu."

"I live too fast to die young, it ain't nothing when your head's screwed on," roars the Crown Prince of exciting, electric frontmen Michael Monroe on his second album for Silver Lining Music, I Live Too Fast to Die Young (the follow-up to 2019's critically acclaimed One Man Gang) and these 11 proclamations prove he is so right. Not even a pandemic could stop Monroe and his band from throwing down the tightest, leanest, meanest and most goddamn fun rock 'n' roll music of the year, and the likes of "Young Drunks & Old Alcoholics", "All Fighter" and the punky "Murder the Summer of Love" show the crisp electricity of CBGB-style punk with glitter-crusted melodies wrapped around the riffs. There's also expansive, Stones-tinged saunters such as "Can't Stop Falling Apart" and "Everybody's Nobody", while the title track takes aim between your eyes off a driving back-beat and a defiant chorus dripping with Monroe's irrepressible attitude. Recorded at Inkfish Studios in Helsinki, Finland between November/December 2021, the album enjoys several guests including Guns N' Roses guitar legend Slash, who solos and provides additional guitars on the title track. With I Live Too Fast to Die Young, it is clear Monroe is swaggering into the summer with a triumphant roar to offer you the real rock 'n' roll escape of 2022. I Live Too Fast to Die Young will be available on CD Digipak, 12" Vinyl, Digital Download and Streaming and special D2C bundles

Diamond Star Halos is the brand new album from Def Leppard, their first since their chart topping self-titled Def Leppard record in 2015. Written by the band over the past two years it features 15 tracks including the anthemic, stadium-ready singles “Kick” and “Fire It Up”, with guest vocals from Alison Krauss on “This Guitar” and “Lifeless”. The album title references T. Rex’s “Bang a Gong (Get It On)” with nods to T.Rex, David Bowie and Mott The Hoople across the album, which mixes the sound of their classic spirit with modern fire. The 2LP black vinyl features a black & white cover with color logo, packaged in a gatefold sleeve.

This grunge-era supergroup made just one album, but it's a key chapter in the '90s Seattle story. This storied 1995 release featuring Mike McCready of Pearl Jam on guitar, Barrett Martin of Screaming Trees on drums and the late, legendary Layne Staley of Alice in Chains on vocals includes "Wake Up," "X-Ray Mind," "River of Deceit," "Artificial Red," "I'm Above" and more. A riveting blend of heavy rock and dark ballads, "Above" went gold and returns in double 180-gram vinyl expanded fashion here. The original album (featuring guest vocalist Mark Lanegan) joins five bonus cuts from the 2013 deluxe edition: "Interlude," "Black Book of Fear," "Locomotive," "Slip Away" and the remix of their John Lennon cover "I Don't Wanna Be a Soldier." Music on Vinyl.

For their debut album, the seven members of CLIFFDIVER wanted to make a record that really represented who they were. That's because, although the band have previously released two EPs - 2018's Small Hours and the following year's At Your Own Risk - Exercise Your Demons is the first record they've made that features what they now consider to be their final line-up, following the permanent addition of vocalist of Briana Wright. Already an outfit that was both proudly genre-defying and unashamedly emo, after Wright appeared on their 2020 single "Gas City", they knew she had to join the band properly.

Recorded at Nashville’s historic RCA Studio A (with additional production at The Castle and Blackbird Studio), Traveller was produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and recorded by Vance Powell (Jack White). In addition to renditions of Dean Dillon and Linda Hargrove’s “Tennessee Whiskey” and Don Sampson’s “Was It 26,” the album features twelve original songs, including fan-favorite “Sometimes I Cry.”

Poland's Decapitated are back with their 8th studio album "Cancer Culture". Vinyl is gatefold, single disc, and limited to 750 at US indie accts only

BLACK KEYS / DROPOUT BOOGIE - VINYL LP - As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album, Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums. NONESUCH

Vinyl LP pressing. Heaux Tales is the first EP by R&B singer Jazmine Sullivan, released by RCA Records in 2021 and now available on vinyl. It is her first release since 2015's critically-acclaimed Reality Show and includes features from Ari Lennox, Anderson.Paak, and H.E.R.

Liam Gallagher - C'MON YOU KNOW - VINYL

We've come to expect big things from Liam Gallagher, but today he reveals plans for 2022 that are biblical even by his colossal standards. He is set to release his new album `C'MON YOU KNOW' on May 27th as he looks to score a fourth consecutive #1 UK record. He also celebrates the 25th anniversary of Oasis' era-defining gigs at Knebworth Park with the news that he'll return there to play the biggest show of his solo career to date on June 4th.

`C'MON YOU KNOW' follows the huge success of Liam's previous studio albums `As You Were' (2017) and `Why Me? Why Not.' (2019), which established his iconic status for a whole new generation. His `MTV Unplugged' also went straight to #1 on the Official Album Chart. Between his triumphs as a solo artist and his phenomenal success with Oasis, Liam has spent a combined total of almost six months at #1 across eleven chart-topping albums. More details regarding `C'MON YOU KNOW' will follow.

The Knebworth Park show will see Liam return to the site where Oasis famously played two unforgettable nights there in 1996. The 25th anniversary of the shows was marked with the release of the feature-length documentary `Oasis Knebworth 1996', which NME described as "an era-defining gig that will live forever." The Knebworth Park gig will be the biggest show of Liam's solo career to date. It follows his triumphant return to touring this summer with headline sets at Reading, Leeds and TRNSMT alongside a free gig for NHS staff at The O2.

Liam says, "I'm absolutely buzzing to announce that on 4th June 2022 I'll be playing Knebworth Park. It's gonna be biblical. C'mon You Know. LG x"

LIAM GALLAGHER / C'MON YOU KNOW

After a period of smoldering dormancy Vanum reappears, blazing and alive, with their third full length album, Legend. Continuing the triumphant march of previous works, but raising the stakes even higher, Legend finds Vanum both expanding and refining their approach, and in turn delivering their most fully realized recording to date.The core of the band's sound remains unchanged: unyielding and grandiose black metal that traces a hellish through line from the power of mid-era Bathory, through the riff-craft of the Hellenic masters, to the bitter fury of the Slavic greats. But amidst the pantheon of familiar influences, new touchstones become ever more apparent. With Legend, the continuum is charted further back and to new lands. Within the throes of the black metal maelstrom, echoes of classic heavy metal are increasingly recognizable, further bolstering Vanum's towering melodic sensibility and epic songwriting. Coupled with a deeper and expanded exploration and use of ambience and synthesizers, the album is imbued with a richness and sense of majesty that underpins each of it's five towering compositions.Due to the global chaos of 2020-21, initial recording plans had to be scrapped in favor of extremely detailed demo and pre-production work, followed by a remote tracking process. As the album was recorded in various locations throughout the country, producer Andrew Oswald was enlisted to oversee technical and performance nuance from afar before handling the mixing duties in which he meticulously sculpted the thunderous, full sound of the album. Adorned with an original painting by Petri Ala-Maunus, the entire package from concept through composition, execution, and presentation is one unified by a sense of strength, power, and romantic awe.While musically dynamic as ever, the overriding theme of the album is one of victory. Victory amidst bloodshed; triumph amidst loss. This is black metal as spiritual war, the aural embodiment of ancient combat and heroic struggle. This is Legend.

Deluxe edition. 2021 release. Planet Her is the third studio album by rapper and singer Doja Cat. The album was produced by Doja Cat's frequent collaborators such as Dr. Luke, Y2K, and Yeti Beats, and the rapper herself. Titled after the fictional planet conceived by Doja Cat, Planet Her is an amalgamation of pop, R&B, and hip hop styles. It features guest appearances from Young Thug, Ariana Grande, the Weeknd, JID, SZA, Eve and Gunna.

Monophonics cordially invite you to attend the grand re-opening of the once thriving, once vibrant establishment, the legendary Sage Motel. A place where folks experience the highs and lows of human existence. A place where big dreams and broken hearts live, where people arrive at without ever knowing how they got there. It's where folks find themselves at a crossroads in life. So join us as we examine where the stories are told and experiences unfold.....and sink into a soft pillow of soulful psychedelia.....down at the Sage Motel.

Diamond Star Halos is the brand new album from Def Leppard, their first since their chart topping self-titled Def Leppard record in 2015. Written by the band over the past two years it features 15 tracks including the anthemic, stadium-ready singles “Kick” and “Fire It Up”, with guest vocals from Alison Krauss on “This Guitar” and “Lifeless”. The album title references T. Rex’s “Bang a Gong (Get It On)” with nods to T.Rex, David Bowie and Mott The Hoople across the album, which mixes the sound of their classic spirit with modern fire.

G enerated from the Rocky Mountains ravines comes Oceansnow.E verything on their debut album Vivienne is performed by two musicians.N either of whom desires to be known.E nter their realm of luxury, minimalism, drugs and theft.V isit places from a long-lost past.I nhale the scent of blood sacrifices to the gods.E xhale, find solace in aV elvety black metal cocoon.E scape this world.

“We’re a bunch of outsiders who refused to be kept out,” says High Pulp drummer Bobby Granfelt. “We’ve never had an academic approach to jazz—most of us grew up playing in DIY bands—so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.”

Indeed, there’s something defiant, something utterly liberating about High Pulp’s remarkable ANTI- Records debut, Pursuit of Ends. Drawing on punk rock, shoegaze, hip-hop, and electronic music, the band’s brand of experimental jazz is both vintage and futuristic all at once, hinting at times to everything from Miles Davis and Duke Ellington to Aphex Twin and My Bloody Valentine. The songs here balance meticulous composition with visceral spontaneity, and the performances are nothing short of virtuosic, fueled by raw, ecstatic horn runs ducking and weaving their way around thick bass lines and dizzying percussion.

While the Seattle-based collective is centered around a crew of six core members, they also make judicious use of a broad network of collaborators on the album, wrangling special guests like sax star Jaleel Shaw (Roy Haynes, Mingus Big Band), harpist Brandee Younger (Ravi Coltrane, The Roots), GRAMMY-nominated trumpeter Theo Coker, and keyboardist Jacob Mann (Rufus Wainwright, Louis Cole) to help stretch the boundaries of their already-expansive sonic universe. The result is a lush, cinematic collection that’s as unpredictable as it is engrossing, an urgent, exhilarating instrumental album that manages to speak to the moment without uttering a single word.

MOTOMAMI is the new album from Grammy Award winning recording artist, producer and songwriter Rosalía. The album has been declared as “One of the Most Anticipated Albums of 2022” by multiple global press outlets including BBC, El Pais, NME, NYLON, Pitchfork, TIME and Wall Street Journal amongst others. Rolling Stone en Español wrote, “It’s a brave record… Genres are a thing of the past; there’s room for everything here… what modern music should be: art and flavor, dembow, champeta, flamenco, bachata, hip-hop, piano melodies……MOTOMAMI feels like a freight train from the future, hurtling right at us at full speed and no brakes. Rosalía is the power source behind it all.”

MOTOMAMI features the previously released songs “LA FAMA,” “SAOKO,” and much, much more. “LA FAMA” (feat. The Weeknd), is a powerful and cautionary song that finds Rosalía and The Weeknd singing to each other in Spanish about how charming and seductive fame can be, making her a dangerous and shallow lover. And “SAOKO” is a shining example of the spirit ofMOTOMAMI—grit and grace, strength and vulnerability, fierce femininity, and an unapologetic, brave attitude.

Best New Artist GRAMMY nominee and critically acclaimed band Tank and The Bangas return with their third studio album, Red Balloon. Red Balloon was born out of a pandemic-ordered break from the band’s rigorous touring schedule. The hiatus gave the band space to grow, allowing them to reunite as a more unified group. This new work pushes the band to a new level, shedding light on their unique observations and reflecting on the ills of America while also celebrating the beauty of Black life.

"Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We’ve Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can’t, or we don’t, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life’s changes can be both terrifying and transformative. We’ve Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We’ve Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We’ve Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can’t control, and what it means to be human in a world that is wracked by so much trauma. The track “Home To Me,” written about Van Etten’s son, uses the trademark “dark drums” of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, “Come Back” reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to “come back” to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, “Born” is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten’s previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We’ve Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten’s uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish."

Let's Eat Grandma released their second album, I'm All Ears, in 2018. It came out to a blaze of critical glory, thrilled fans who'd been with them since I, Gemini, and won them interested new listeners as they widened their musical scope. The band's new album, Two Ribbons, tells the story of the last three years from both Jenny Hollingworth and Rosa Walton's points of view. As a body of work, it is astonishing: a dazzling, heart-breaking, life-affirming and mortality-facing record that reveals their growing artistry and ability to parse intense feeling into lyrics so memorable you'd scribble them on your backpack. The band has been through a lot in the last three years, and Two Ribbons is the artefact that signals some kind of progression out of very distressing times; a story of loss, change, and of survival; a proof of life.

Watain crawled out of Satan's c*t in 1998 and has since then ascended and grown into one of the world's most well-known and notorious Black Metal bands. Their legacy is often referred to with fear, love, confusion, or awe, but seldom with indifference.Their infamous live shows have become a worldwide phenomenon; inimitable ceremonies of wild Black Metal fanatism where the sacred and solemn collides with raw unadulterated force.With their greatly anticipated seventh studio album, Watain continues to arouse and electrify their audience with an unmistakable, adventurous brand of Black Metal Magic, processed and distilled over the course of a 25-year long history.Recorded live inside an old church on the Swedish countryside, "The Agony & Ecstasy of Watain" takes the listener one step closer to the innermost heart of a band that despite always being surrounded by rumors and controversy has always strived for the most sincere and genuine ways of expression. With 10 songs written by the founding trinity of Watain (E. Danielsson, H. Jonsson and P. Forsberg), it is also the first Watain album to be recorded with a full line up completed by A. Lillo, H. Eriksson and E. Forcas. The material is further enriched by noble contributions from Farida Lemouchi (Ex The Devil's Blood, now in Molasses) and Gottfrid Ã…hman (ex In Solitude, now in PÃ…GÃ…).The lyrics, always central in Watain, range from profound contemplation to manic proselytism, meticulously exploring the winding depths of both mind and spirit with a new sense of clarity and determination.Characterized by a twisted beauty and primal ecstatic force, Watain is the wolf that keeps on hunting, fearless and free, in the dark night of man. White is limited to 300 worldwide

Soft Cell - legendary frontman Marc Almond and producer/instrumentalist Dave Ball - are set to return with their fifth studio album *Happiness Not Included, which is set for release in Spring 2022 via a new deal with BMG. It represents their first new album since they issued 'Cruelty Without Beauty' back in 2002. They will build towards the album's release by sharing a new single in the autumn and playing some UK shows in November 2021.

Limited violet colored vinyl LP pressing. 2022 release. Philadelphia's Devil Master's roots in ritual magick have never been more prominent than on Ecstasies Of Never Ending Night. Recorded live to analog tape by Pete DeBoer (Blood Incantation, Spectral Voice), Ecstasies expands on the warped riffing and dark atmospheres that have already propelled Devil Master as one of the underground's most unique and unfettered bands. From the band's blackened punk maelstrom of "Acid Black Mass" to the spiraling death rock of "Abyss In Vision" and the layers of refined atmosphere on the closer "Never Ending Night", lead guitarist Darkest Prince of All Rebellion shines across a collection of fiery, tumultuous riffs - Lyrically, vocalist Disembody Through Unparalleled Pleasure laces Ecstasies with life-affirming blasphemy and existential dread. Ecstasies of Never Ending Night witnesses Devil Master at it's core. Vocalist Disembody Through Unparalleled Pleasure has assumed the role of bassist, strengthening the songwriting alongside Darkest Prince and founding member/rhythm guitarist Infernal Moonlight Apparition. Fresh blood was required and found in drummer/keyboardist Festering Terror in Deepest Catacomb (a.k.a. Chris Ulsh of Power Trip and Iron Age). Ecstasies of Never Ending Night proves to be a crucial addition to the pantheon of evil satanic metal. In the end, magick reigns!

Record-breaking, award-winning, Grammy-nominated RAMMSTEIN - one of rock's most individual and successful names - are returning with their new album "Zeit" (English: Time) on 4/29/22. 2 LP set on 180-gram vinyl in gatefold jacket with gold embossed logo sleeve. Large format 20-page booklet included.

Leatherface's debut LP has been remastered for a beautiful reissue on Rad Girlfriend / Little Rocket Records. Originally released by Meantime Records in 1989, "Cherry Knowle" has long been out of print, and is considered to be a hardcore classic. While their sound would evolve into majestic post-punk thunder two albums later on "Mush", this LP offers intermittent previews of their later sound.

2020's A Hero's Death saw Fontaines D.C. land a #2 album in the UK, receive nominations at the GRAMMYs, BRITs and Ivor Novello Awards, and sell out London's iconic Alexandra Palace. Now the band return with their third record in as many years: Skinty Fia. Used colloquially as an expletive, the title roughly translates from the Irish language into English as 'the damnation of the deer'; the spelling crassly anglicized, and its meaning diluted through generations. Part bittersweet romance, part darkly political triumph - the songs ultimately form a long-distance love letter, one that laments an increasingly privatized culture in danger of going the way of the extinct Irish giant deer.

WE is the new album from Canadian rock band Arcade Fire. This is the sixth Arcade Fire studio album, and is made up of seven songs that speak to this moment with unique directness. Written, recorded, and released during a critical historical juncture, they are divided into two distinct sides, “I” and “WE.” If the “I” side of the record evokes and embodies our holed-up anxiety and lack of physical connection, the “WE” side captures the excitement of new possibilities and the elevating thrill of committing to one another socially and personally. Produced by Nigel Godrich, Win Butler & Régine Chassagne, WE is a 40 minute epic as much about the forces that threaten to pull us away from the people we love, as it is inspired by the urgent need to overcome them.

Father John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God's Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Father John Misty - aka Josh Tillman - and producer/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, with Dave Cerminara returning as engineer and mixer. Basic tracks were recorded at Wilson's Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others. Chloë and The Next 20th Century features the singles "Funny Girl," "Q4," "Goodbye Mr. Blue," and "Kiss Me (I Loved You)."

Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.

We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe.This is our life’s mission. We work, focus, and prepare, so that when the biggestwave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is theride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including "Best Rock Album" for Stadium Arcadium, "Best Rock Performance By a Duo or Group" for "Dani California, "Best Rock Song" for "Scar Tissue," and "Best Hard Rock Performance With Vocal" for "Give It Away." The band holds the record for the most No. 1 singles of all time at Alternative radio, a total of 11, and a combined 81 weeks at No. 1.

Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.

Slovenly's mother tongue recordings imprint is psyched beyond belief to present to the freaks and creeps of planet Earth, the 8th LP from Switzerland's THE MONSTERS: 'Du Hesch Class Ig Bi Trasch' ('You're Class I'm Trash')! Scandinavian Bestial Death Metal? PUH-LEEZE. Japanese Harsh Noise? GIMME A FUCKIN BREAK! This is the true evil that rock'n'rollers do, and you'll be trembling in your creepers before your asses even get close to bumping to the radical raunch contained on this truly amazing long-player. Even long time rabid fans will be stunned by the sheer magnitude of nastiness and horror here, and if you're a newcomer, we wish you the best of luck! Yeah, that's a harpsichord and a choir on the intro. Oops, that's the outro. We listen to shit backwards and you should too. But so fucking what? Religion rightly scares the piss out of us, and The Monsters make no bones about their just demands of servitude. But you know what the craziest part of this disaster is? It's not simply that it transcends any trite categories like 'GARAGE,' or 'PSYCHOBILLY,' or even just (JUST!) 'ROCK'n'ROLL,' it's your perception of maestro Beatman's tried and true and fried as fuck vocal throttle that's damaged even further by him singing in Swiss-German for the first time on any of his vast catalog o' cool, and it's for the entirety of this monster swingin' album! You want the English version? Well take your ass to his legendary Voodoo Rhythm label (Records To Ruin Any Party!) and imbibe as you are won't to do, but we're gambling that this language, which has no formal written application, is going to screw your brains like his charmingly broken English has never done before. No offense, we love everything the Beatman touches, but this bold and genius move has got our lobes knocked up like a barefoot mormon sister-wife. Mondo Mongo, mofos! Familiar tracks from killer records past, like 'I'm a Stranger To Me' reappear as 'Fromd vo Mir' (hell, that one is almost a cognate) but everything here promises a hellish trip into the void, and we guarantee your eternal delight, but make no promises for your mental welfare.

2022 release. Dawn FM is the fifth studio album by Canadian singer-songwriter The Weeknd. The album is narrated by Jim Carrey, and features guest appearances from Tyler, the Creator and Lil Wayne. The production was handled by The Weeknd himself alongside Oneohtrix Point Never-who produced the majority of the tracks-as well as Max Martin, Oscar Holter, Calvin Harris, and Swedish House Mafia, among others. The album serves as a follow-up to The Weeknd's fourth studio album, After Hours (2020).

Double vinyl LP pressing. Includes digital download. 2022 release. Wiki has become a fixture of New York City hip hop since, at 17 years old, he founded the boundary defying group Ratking, whose aggressive style represented a new generation of city kids and artists, hungry for innovation and raw energy. Half God is produced entirely by Navy Blue, one of the most refreshing young, acclaimed rapper/producers to break out in recent years, for a project that pushes each of their talents to new heights. Wiki's storytelling as the city's young OG has never been more vivid and Navy Blue's production pushes further into every sonic corner he's explored today, providing a perfect canvas for Wiki's signature voice. There's also guest features from Earl Sweatshirt, MIKE, Duendita, Navy Blue, Jesse James Solomon and Remy Banks. When painting lyrical pictures of New York scenes, one gets a sense of Wiki's skill as a storyteller and visionary. He has solidified his role in carrying the torch for NYC's master MC's; representing for the freaks, weirdos and underbelly culture.

Following their critically acclaimed 2019 album, Morbid Stuff, and 2020's raucous This Place Sucks Ass EP, PUP are back with their fourth album, their most ambitious release to date. Recorded with Grammy winning producer Peter Katis (Interpol, The National, Kurt Vile), the band spent five weeks in the summer of 2021, recording and mixing the typically furious and anthemic songs that would become The Unraveling Of PUPTHEBAND.

The critical darling band has been met with their share of success over the last eight years—winning a Juno Award for Alternative Album of the Year, being shortlisted for the Polaris Music Prize, write ups and accolades everywhere from the New York Times to Pitchfork to NPR and playing venues around the world packed with rabid fans. They have performed on Late Night with Seth Meyers, and played at major festivals like Lollapalooza, Boston Calling, Shaky Knees, and Riot Fest.

Every PUP record arrives with an implied “contents under pressure” warning; the tension between the band’s instinct for the melodic and its gift for chaos propels the songs forward while making them also seem close to flying apart in a horrifying spray of tears and gore. The Unraveling Of PUPTHEBAND is the sound of a band that is not just comfortable with but in command of that chaos.

On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.

Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach
House records remain present throughout many of the compositions.

Beach House is Victoria Legrand, lead singer and multi-instrumentalist, and Alex Scally, guitarist and multi-instrumentalist. They write all of their songs together. Once Twice Melody is the first album produced entirely by the band. The live drums are by James Barone (same as their 2018 album, 7), and were recorded at Pachyderm studio in Minnesota and United Studio in Los Angeles. For the first time, a live string ensemble was used. Strings were arranged by David Campbell.

The writing and recording of Once Twice Melody began in 2018 and was completed in July of 2021. Most of the songs were created during this time, though a few date back over the previous 10 years. Most of the recording was done at Apple Orchard Studio in Baltimore. Once Twice Melody was mixed largely by Alan Moulder but a few tracks were also mixed by Caesar Edmunds, Trevor Spencer, and Dave Fridmann.

English rock band, Black Sabbath formed in Birmingham in 1968, by guitarist and main songwriter Tony Iommi, bassist and main lyricist Geezer Butler, drummer Bill Ward, and singer Ozzy Osbourne. Black Sabbath are often cited as pioneers of heavy metal music. Paranoid is the second studio album by English metal band Black Sabbath. Originally released in September 1970, it was the band's only LP to top the UK Albums Chart until the release of 13 in 2013. Paranoid contains several of the band's signature songs, including "Iron Man", "War Pigs" and the title track, which was the band's only Top 20 hit, reaching number 4 in the UK charts. It is often regarded as one of the most quintessential and influential albums in heavy metal history.

Filthy, belligerent and obnoxious, Midnight make music to start fights to. Since 2003, one-man-band Athenar has been churning out an ungodly racket, dropping countless demos, splits and EPs - and in 2022 he returns, delivering a catchy mixture of black metal, speed metal, and dirty punk rock. "I always want it to be loud and nasty," he asserts. "That kinda thing never gets old with me. How funny will that look to see me at age 77 - if I reach that point - sitting on the porch blasting Hellhammer?"

Following the release of March of the Saint, Armored Saint delivered Delirious Nomad. Produced by master producer Max Norman (Ozzy Osbourne, Megadeth, Bad Company), Delirious Nomad is more metal, edgier and lyrically darker than March of The Saint. Because of the heavier themes and social commentary, many Saint fans hold Delirious Nomad as the best of the band's early work.

Vinyl LP pressing. 2021 release from the Portland, Oregon-based metal band. Produced and mixed by Arthur Rizk (Code Orange, Power Trip), Strength was recorded between June 2020 and April 2021 at Redwood Studio in Philadelphia, PA and Falcon Studios in Portland, OR. The forthcoming release marks Unto Others' debut album on Roadrunner Records and the follow-up to their critically acclaimed 2019 LP, Mana. 'Strength' also features the single 'When Will Gods Work Be Done' which arrived last month alongside news of the band's signing. Stereogum praised the single attesting, "Unto Others build and build, showing mastery in setting a scene, stretching tension to it's breaking point, and then blowing it to smithereens with panache."

Juice Wrld -"Legends Never Die - Rapper Juice Wrld's first posthumous album, Legends Never Die, now available on vinyl. The 22-track project set several records when it debuted at No. 1 on the Billboard 200 upon release. Features hit singles "Righteous", "Come & Go (With Marshmello)" and "Wishing Well". Double LP. EXPLICIT

Vinyl LP pressing. Burrowing through the mire of the endless Floridian swamps like an arcane travesty of nature, the shadow-bound entity more commonly known only as WORM present 'Foreverglade', a strange amalgam of things that ooze, things that crawl and some things that remain still for centuries before crumbling back into the dust and dirt unobserved by mortal eyes. Utterly ambitious while being steeped in the ancient practices of tradition and ritual observance, on 'Foreverglade' Worm finds it's truest incarnation, where the catacombs of funereal and oppressively heavy Death Doom are further thrown open, letting drift out the lurking obscurity of Black Metal's cemetery stench. And yet an adept virtuosity and ghostly ethereality invokes the grim dark beauty of the swamps as much as the veiled creeping horrors. What's certain is 'Foreverglade' is suffocatingly heavy, filled with shimmering gloomy atmosphere and a reeking foul humidity that superbly embodies the mysteries and monstrosities of the murk. To that end Worm reach a new apex of creative sorcery while signaling it has only begun to unleash what lies beneath the mists.

Vinyl LP pressing. 2018 release. Rising from the wreckage of a war torn planet, Czarface joins forces with MF Doom in the epic Czarface Meets Metal Face! Blending Doom's trademark abstractions and Czarface's in-your-face lyrical attack, this album is ripe with cartoon violence, societal observations and pop culture musings. Over banging beats provided by The Czar-Keys, the armored team give you the witty unpredictable treats any hip-hop fan can sink their fangs into. Expect beats, rhymes, and metal as Czarface controlled by Wu-Tang Clan powerhouse Inspectah Deck and 7L & Esoteric team up with everyone's favorite villain, MF Doom. With track titles like "Nautical Depth","Meddle With Metal", "Astral Traveling" to "Madness of Badness" this album packs a punch with 16 brand new tracks. Add that with features from Open Mike Eagle and Jedi Mind Tricks' Vinnie Paz, we promise you mind-bending metaphors and brain-melting beats.

Vinyl LP pressing of this 20th Anniversary edition of the Beastie Boys' 1989 sophomore album. When first released, the album was a commercial failure but slowly, but surely, the world caught up and now the album is considered a landmark in Hip Hop and Alt-Rock by critics and fans.

Swiss firebrand alchemists Zeal & Ardor are excited to announce forthcoming, self-titled new album.

Hissing and seeping justifiable rage from every pore - yet not an unrelenting musical battering - the 14-track opus was recorded by Marc Obrist and Manuel Gagneux at Hutch Sounds and mixed and mastered by Will Putney at Graphic Nature Audio. All songs were written by the softly spoken, multi- lingual frontman Gagneux, with some German lyrics intermixed with the English.

Gagneux declares, “With the self-titled record, we have arrived at where I imagined this project should sound like. It’s the longest we’ve worked on a single record and I believe it shows. The most important thing for an album of ours to do, is transport you instantly into our mood, our world. Even though this might not be the one you might expect from us, this record certainly delivers on that front. We had time to hone in to what we think makes us interesting and what sounds we would like to explore through this we have found our home.

Home is burning. Welcome home.”

Limited double vinyl LP pressing. The Best of Sade is the first greatest hits album by vocalist Sade Adu and her band. It was originally released in November 1994. By Epic Records. Sade formed in London in 1982. However, three of their members were originally from Kingston upon Hull in the East Riding of Yorkshire. Their music features elements of soul, R&B, jazz, soft rock, and funk. Sade's 1984 debut studio album Diamond Life, was a hit internationally, reaching # 1 in several countries and the Top Ten in the US where it has sold in excess of 4 million copies. In late 1985, Sade released their second studio album Promise, which peaked at No. 1 in both the UK and the US. It was certified double platinum in the UK, and quadruple platinum in the US. In 1986 Sade won a Grammy Award for Best New Artist. Their 2000 fifth studio album, Lovers Rock, won the Grammy Award for Best Pop Vocal Album. Sade's US certified sales so far stand at 23.5 million units according to Recording Industry Association of America (RIAAand have sold more than 75 million records worldwide to date. The band were ranked at #50 on VH1's list of the "100 greatest artists of all time."

A Seat At The Table, is the new album from Solange Knowles. The album will be available digitally on September 30th, released on CD November 18th, and on vinyl LP December 9th. Solange describes A Seat At The Table as "a project on identity, empowerment, independence, grief and healing." A Seat At The Table was written by Solange, and features a host of guest artists including Q-Tip, Kelly Rowland, The Dream, BJ The Chicago Kid, Kelela, Tweet, Moses Sumney, Sampha, Sean Nicholas Savage, Nia Andrews, Devonte Hynes of Houston Texas and Lu of Carolina.

On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.

Deliverance [2LP]- Corrosion Of Conformity - More than 25 years after it's anticipated release in 1994 "Deliverance" the classic 90s masterpiece of Heavy Metal legends Corrosion of Conformity will be available again as an exclusive vinyl version. Featuring three bonus tracks, expanded artwork & photos as well as an extensive oral history documenting the making of Deliverance. Century Media Records Gatefold transp.

The sequel to last year’s King’s Disease features Ms. Lauryn Hill, Eminem, EPMD, Hit-Boy, Charlie Wilson, YG and more. 

Ghost one of the most esteemed and celebrated rock bands in the world today return with their fifth psalm, IMPERA, fronted by the newly anointed Papa Emeritus IV.  A dozen songs take on themes of isolation and demigod worship, as well as colonization of both space and mind.   And all with the infectious hooky brand of rock their fans have grown accustomed. 

12th studio album from New Orleans' sludge metal pioneers "existing in a genre of one!" (Metal Hammer)

Just as one can smell a storm swelling on the horizon, the cataclysmic tremor that is Immolation approaches to unleash it's latest, immense creation: ACTS OF GOD. Due to be released in winter of 2022, this 11th studio album serves as the next chapter of Immolation'S Death Metal epic. With 5 long years passed since the most recent studio album, ATONEMENT, ACTS OF GOD vigorously showcases Immolation's ability to consistently create fascinating sounds, while still keeping their feet firmly rooted in the old school, New York Death Metal for which they are renowned.

Vinyl LP pressing. 'Left Hand Path' defined the 'Swedish sound' replicated by hundreds of other acts and came to represent the primal death metal sound that was to breakthrough into the mainstream in the early 1990's. Entombed were the first extreme metal band to enter the charts in their native Sweden, before becoming an international success. Formed in the late 80's, Entombed were originally called Nihilist and had a huge reputation on the underground death metal scene.

A Place to Bury Strangers defund post-punk orthodoxy with the most audacious and varied songwriting of their career on their sixth album, See Through You' out February 4, 2022, on Oliver Ackermann's label, Dedstrange.

Following up on 2021"s highly acclaimed Hologram EP, the rebooted lineup' vocalist/guitarist Oliver Ackermann plus drummer/vocalist Sandra Fedowitz and bassist John Fedowitz (both of Ceremony East Coast)' delivers an overclocked set of futuristic electronic punk music encoded with punishing industrial rhythms, swirling voltage-starved guitars and unclassifiable auditory annihilation.

Across thirteen tracks recorded in seclusion throughout the nihilistic absurdity of the coronavirus pandemic, See Through You is proof-positive that the group hailed as 'The Loudest Band in New York' is still finding new ways to push the needle deeper in the red.

Replicating the magic of Guns N' Roses, Appetite for Destruction, Black Sabbath and Metallica, White Zombie has, in this major debut album, already begun to pave the path for the future of heavy metal. Their rhythms are complex, their riffs intense. They're a powerhouse of loud and proud. Vocalist Rob Zombie intrigues in shock value, and here he packs it in: these songs are about muscle cars, sleazy encounters, and a glorified trash culture. Songs include brash manifestos such as "Soul Crusher," indulgent macabre such as "Spiderbaby (Yeah-Yeah-Yeah)," and the sexually charged "Thrust!" This album is a celebratory act for the lover of the lewd-pressed on 180-gram vinyl and including a color insert with lyrics.

The Nonesuch debut of Hurray for the Riff Raff (aka Alynda Segarra),LIFE ON EARTH, out February 18, 2022, is a departure for the Bronx-born, New Orleans-based singer/songwriter. Its eleven new “nature punk” tracks on the theme of survival are music for a world in flux—songs about thriving, not just surviving, while disaster is happening.For her eighth full-length album, Segarra (they/she) drew inspiration from The Clash, Beverly Glenn-Copeland, Bad Bunny, and the author ofEmergent Strategy, adrienne maree brown. Recorded during the pandemic, Life on Earth was produced by Brad Cook (Waxahatchee, Bon Iver, Kevin Morby).

Master of Puppets was originally released on March 3rd, 1986, on Elektra Records and went on to become the first Metallica album to be certified Platinum by the RIAA. The album has been certified 6x Platinum in the United States and has sold over 10 million copies worldwide. In 2016, the album became the first metal album to be added to the National Recording Registry of the Library of Congress, an honor granted to works deemed “culturally, historically, or aesthetically significant”.

21 years since the release of Radiohead’s seminal albums, Kid A and Amnesiac comes a combined and expanded reissue, KID A MNESIA Here put back together as originally intended, with an additional disc of bonus material - including 2 original unreleased recordings from the era: ‘If You Say the Word’ + ‘Follow Me Around’. 

“A new, uniquely fearless kind of rock record for a new, increasingly fearful century, Radiohead’s fourth album, released in October 2000, remains one of the more stunning sonic makeovers in music history” – Rolling Stone [500 Greatest Albums of All Time: #20 Kid A]

Superhero? Supervillain? Super WHAT? Czarface & Mf Doom's newest team-up record Super What? is, much like the Avengers' arch-enemy Thanos... inevitable (and all-powerful!). The icon MF DOOM unleashes his wizardry and wordplay throughout the record, while CZARFACE (bolstered by the legendary Wu-Tang Clan's Inspectah Deck and Esoteric) slash through each of the Czar-Keys' produced tracks as the team raises the bar on their previous LP, Czarface meets Metalface (2018). Featuring golden-age superhero DMC (of RUN-DMC) and Hieroglyphics' leader Del The Funky Homosapien, with art by longtime CZARFACE co-creator Lamour Supreme, this album will bring all the thrills of a cosmic summer blockbuster. Recorded and slated for an early 2020 release, and paused while COVID raged, this collaboration of masked men is finally finding it's way to you on all formats.

The War On Drugs announce I Don’t Live Here Anymore, their first studio album in four years, out October 29th on Atlantic Records. Over the last 15 years, The War on Drugs have steadily emerged as one of this century’s great rock and roll synthesists, removing the gaps between the underground and the mainstream, making records that wrestle a fractured past into a unified and engrossing present.

Just a month after A Deeper Understanding received the 2018 Grammy for Best Rock Album, the band retreated to upstate New York to jam and cut new demos. It was the start of a dozen-plus session odyssey that spanned three years and seven studios, including some of rock’s greatest sonic workshops like Electric Lady in New York and Los Angeles’ Sound City.

The War On Drugs’ 2022 tour takes the band to some of the largest venues they’ve ever played, including their first headlining show at MadisonSquare Garden, as well as Los Angeles’ Shrine Auditorium, the Bill Graham Civic Center in San Francisco, the Ryman Auditorium in Nashville, two nights at the Chicago Theatre, Philadelphia’s Metropolitan, the House of Blues in Boston, and beyond.

Limited direct metal mastered 180gm vinyl LP pressing of this album from the Blues great including four bonus tracks.. Wax Time.

Double vinyl LP pressing. 2012 release from the Compton-based Hip Hop artist. Currently signed to Top Dawg, Aftermath and lnterscope. Lamar is a member of Hip Hop supergroup Black Hippy, along with fellow West Coast rappers and label mates Jay Rock. Schoolboy Q and Ab-Soul. He first gained major attention after being mentioned by Dr. Dre resulting in a buzz for the, then upcoming. release of his fourth mixtape. Early in his career, Lamar amassed a large internet following, and had already worked with Snoop Dogg, Dr. Dre, Wiz Khalifa, Game, Drake, Rick Ross, Meek Mill, Talib Kweli, Lady Gaga, Kid Cudi, Busta Rhymes, E-40, Warren G, Bun B, Tech N9ne and Lil Wayne among other popular artists.

Vinyl LP pressing. 2012 release from the Scranton-raised, Philadelphia-based Punk Rock outfit. The Menzingers' fiery early releases and dynamic live performances supporting Anti Flag and Against Me! Have created a serious buzz and landed the group on several best of lists.

Soundgarden-Badmotorfinger - Badmotorfinger is the third studio album by American rock band Soundgarden and was released through A&M Records. Soundgarden began the recording sessions for the album with new bassist Ben Shepherd in the spring of 1991. The album maintained the band's heavy metal sound while featuring an increased focus on songwriting as compared with the band's previous releases. Considered the album's music to be "surprisingly cerebral and arty"; alternative tunings and abnormal time signatures were present on several of the album's songs, and lyrics were intended to be ambiguous and create imagery. Limited Edition import-only vinyl LP repressing of this album. Universal. 2007.

Mavericks. Pioneers. Unique. Immutable. Destined to be one of 2022’s most hailed and talked-about releases, "Immutable" once again showcases MESHUGGAH’s collective brilliance, including some of the most jaw-dropping ensemble performances they have ever executed. Since forming in 1987, the Swedish sound architects known as Meshuggah developed into one of the most technically complex and virtuosic group of players the metal realm has ever encountered, their distinctly unique brand of progressive groove-infused death metal inadvertently launching an entirely new subgenre. Recorded in Sweden’s „Sweetspot Studios“, their ninth full-length album „Immutable“ is the follow-up to their highly acclaimed and Grammy nominated album, „The Violent Sleep Of Reason“. The new album and 2022 tour will see the return of Fredrik Thordendal. Mastered by multiple Grammy award winner Vlado Meller (Metallica, Rage Against The Machine, Red Hot Chili Peppers, System Of A Down)

"Quickness" is the fourth full-length studio album by Bad Brains, originally released by Caroline Records in 1989. At the time of it's release, it was the band's best selling album and also landed them a featured MTV music video for the opening track, "Soul Craft." This reissue marks the fifth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing. Available on LP, CD, and cassette.

Over the last twenty years Comeback Kid have been hailed as one of the major counterparts when it has come to shaping and pioneering both the Canadian and international modern punk and hardcore sound and scene alike. Having formed in Winnipeg, before later releasing their 2002 demo, and the acclaimed, Turn It Around in 2003, the five piece have undoubtedly over the years been able to balance a DIY ethos and dependability, with that of a humanitarian ethos, and genre defining musicianship which has broken down the boundaries of hardcore, and transcended the genre onto a global stage. Breaking into the mainstream with their 2005 career defining record, Wake The Dead, and standing strong in the face of adversity and change ever since, the band have become a force to be reckoned with when it comes to their influence impacting both the present and future of the once underground genre. Now with their seventh record on the horizon, the band are defining what it means to be both an integral, and volatile leader amongst a now globally recognized, and distinguished genre.

‘Requiem’ follows Korn’s critically acclaimed 2019 release, ‘The Nothing’. Korn changed the world with the release of their self-titled debut album. It was a record that would pioneer a genre, while the band’s enduring success points to a larger cultural moment. The band have continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for legions of fans and generations of artists around the globe.

Double clear vinyl LP pressing. So Far... The Best Of brings together the cream of Sinead O'Connor's four album releases on the Chrysalis label. Originally released in 1997, it features the Number 1 worldwide hit "Nothing Compares 2 U" as well as her early singles "Troy" and "Mandinka", it showcases Sinead's enormous talent and fearless uncompromising style. This is the very first time that this album has appeared on vinyl, and is being released to coincide with National Album Day in the UK, with the emphasis on female artists. The album includes the tracks "Success Has Made A Failure Of Our Home", as well as "Heroine" and "Just Like U Said It Would B" which were previously only available on the US version.

Little Dark Age is the long awaited new album from MGMT. The album is produced by MGMT, Patrick Wimberly (Chairlift, Kelela, Blood Orange), and long-time collaborator Dave Fridmann (Flaming Lips, Spoon, Tame Impala). MGMT recorded Little Dark Age at Tarbox Road Studios in Cassadaga, NY.

The new album includes the previously released title song "Little Dark Age," and the tracks "When You Die" and "Hand It Over." Each of these tracks were also accompanied by stunning video clips. The focus track and video for "Me and Michael" will be released around the album.

MGMT will also embark on a worldwide tour in 2018, with dates in the US from March through June including Firefly Music Festival.

Formed in 2002 by Andrew VanWyngarden (lead vocals, guitar, keyboard, bass guitar, drums, percussion) and Ben Goldwasser (vocals, keyboards, guitar, percussion), MGMT released their influential, Grammy-nominated, debut album Oracular Spectacular in 2007. This was followed by 2010's Congratulations and 2013's self-titled album MGMT.

Combining the lulling ambience of shoegaze with the iconic melodies and vocal prowess of classic American country music, enigmatic outlaw cowboy - Orville Peck, croons love and loss from the badlands of North America. The resulting sound is one completely his own, taking the listener down dusty rose-colored desert highways, through a world where worn out gamblers, aloof road-dogs and lovesick hustlers drift in and out of his masked gaze. Orville’s upcoming debut album, Pony, delivers a diverse collection of stories that sing of heartbreak, revenge and the unrelenting tug of the cowboy ethos. Warm lap steel guitars and echoing drums move through dreamy ballads, campfire lullabies and sometimes frantic buzzsaw tunes, all the while paying homage to his country music roots. Orville’s music has been featured by Nylon magazine, ID mag, Vice, The Needle Drop, as well as numerous Apple Music and Spotify playlists. He has also had magazine features in New York’s Hello Mr. and the UK’s Notion.

The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut. Rubber Soul features George Martin's 1986 stereo remix

Coming February 11th: Spoon's tenth album, Lucifer on the Sofa, is alive, vital and inarguably the band's heaviest work to date. The first set of songs that the quintet has put to tape in its hometown, Austin, in more than a decade. Written and recorded over the last two years ' both in and out of shutdown ' these songs feel like a culmination of Spoon's career while marking a shift toward something louder, wilder, and more vivid.

Billie Eilish has announced her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July 30. Continuing the tradition on from her multi-GRAMMY Award, record-breaking debut album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother FINNEAS who produced the album in Los Angeles. The album includes Top 40 #1 single “Therefore I Am” and “my future.”

“I Love You, Honeybear” was recorded from 2013 to 2014 in Echo Park, Los Angeles. There’s a case to be made that it sounds and acts a bit like Scott Walker, Randy Newman, Harry Nilsson, and Dory Previn. The songs are a narration of my experience falling in love. My ambition was to address the sensuality of fear, the terrifying force of love, the unutterable pleasures of true intimacy, and the destruction of emotional and intellectual prisons with an imprint that is undeniably my own. Blammo.

Dashboard Confessional’s ninth studio album, All The Truth That I Can Tell, is both a remarkable renewal and fortunate step forward for the band’s songwriter, front man, and founder, Chris Carrabba. All The Truth That I Can Tell stands among Carrabba’s finest – a strikingly potent musical look at himself through a rediscovered keyhole, both an achievement of vision and a vital burst of artistic clarity; less like reading someone’s diary and more like reading their eyes.

All The Truth That I Can Tell is available exclusively at participating indie retailers on “Cold Night” transparent dark blue/green vinyl.

March 2022, rock icons KISS will release the next installment of their Off The Soundboard official live bootleg series with KISS - Off The Soundboard: Live In Virginia Beach, recorded live at the Virginia Beach Amphitheatre on July 25, 2004.

Off The Soundboard: Live In Virginia Beach finds the legendary band in the midst of their `Rock The Nation' Tour, which is notable for being the first full U.S. tour of the longstanding Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer lineup. The career-spanning 20-song set includes classic KISS tracks such as "Lick It Up," "I Love It Loud," and the worldwide smash and No. 11 1979 U.S. Billboard charting "I Was Made For Lovin' You," as well as perennial KISS fan favorites "Makin' Love," "King Of The Night Time World," and "100,000 Years" that dig deep into the band's astonishing 40+ year back catalog.

KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975's gold-certified and No. 9 Billboard charting Alive!. The KISS - Off The Soundboard series continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger-than-life extravaganza that is a KISS concert.

KISS OFF THE SOUNDBOARD: LIVE IN VIRGINIA BEACH 3 X LP